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Food Timeline FAQs: candy .....Have questions? Ask!

What is candy?
candy bar prices
candy butchers
candy packaging
sweeteners
colonial confectioners
colonial chocolate makers
early American candy
(Colonial-1850s)
modern American candy
(1860s-1920s)

Candy catalog
(1949)
almonds
bologna candy
bridge mix
brittle
Buckeye candy
butterscotch
candy canes
candy corn
caramels
chocolate
chocolate covered ants
chocolate covered pretzels
chocolate truffles
conversation hearts
cotton candy
divinity
dolly mixtures
dragees
Easter candy
fondant
fruit leather
fudge
Gibraltar rock
Halloween candy
halva
horehound candy
icing & frosting
jelly, jams & preserves
jelly beans
jordan almonds
jujubes
lemon drops
liquorice
lollipops
marmalade
marshmallows
marzipan
mints
opera fudge
penny candy
Pop Rocks
potato candy
pralines
rock candy
salt water taffy
sauerkraut candy
sponge candy
sugar plums & comfits
sweetmeats
tablet
toffee & taffy
toffee apples (aka taffy apples, caramel apples)
Turkish delight
Valentine's Day candy
white chocolate

About candy

While we Americans tend to think of candy in terms of supermarket and convenience stores displays, this sweet culinary family offers a much broader and complicated lineage. Food historians propose the first sweets were consumed as a sort of medical treatment for digestive troubles. Today's cough drops and peppermint sticks descend from this tradition. As time and technology progressed, so did the art of confectionery. The English word "candy" derives from Arabic "qandi," meaning something made with sugar. Indeed, the first candies were sugar coated nuts, seeds and fruits. Jujubes, marshmallows are a prime examples of ancient medicine becoming modern candy. Conserves and preserves (fruit preserved in sugar) eventually became their own type of food; typically paired toast or spread between cookies and cakes.

"All of the peoples of antiquity made sweetmeats of honey before they had sugar: the Chinese, the Indians, the people of the Middle East, the Egyptians and then the Greeks and Romas used it coat fruits, flowers, and the seeds or stems of plants, to preserve them for use as an ingredient in the kind of confectionery still made in those countries today. Confectioner and preserves featured in the most sumptuous of Athenian banquets, and were an ornament to Roman feasts at the time of the Satyricon, but it seems that after that the barbarian invasions Europe forgot them for a while, except at certain wealthy courts were Eastern products were eaten...At the height of the Middle Ages sweetmeats reappeared, on the tables of the wealthy at first...In fact the confectionery of the time began as a marriage of spices and sugar, and was intended to have a therapeutic or at least preventative function, as an aid to digestive troubles due to the excessive intake of food which was neither very fresh nor very well balanced...guests were in the habit of carrying these sweetmeats to their rooms to be taken at night. They were contained in little comfit-boxes or drageoirs...."
---History of Food, Maguelonne Toussaint-Samat [Barnes & Noble Books:New York] 1992 (p. 565-6)
[NOTE: This book has an excellent chapter on the history of confectionery and preserves. Ask your librarian to help you find a copy.]

"Candy...The ancient Egyptians preserved nuts and fruits with honey, and by the Middle Ages physicians had learned how to mask the bad taste of their medicines with sweetness, a practice still widespread. Boiled "sugar plums were known in the seventeenth-century England and soon were to appear in the American colonies where maple-syrup candy was popular in the North and benne-seed [sesame seed] confections were just as tempting in the South. In New Amersterdam one could enjoy "marchpane," or "marzipan," which is very old decorative candy made from almonds ground into a sweet paste. While the British called such confections, "sweetmeats," Americans came to call "candy," from the Arabic qandi, "made of sugar," although one finds "candy" in English as early as the fifteenth century...Caramels were known in the early eighteenth century and lollipops by the 1780s..."Hard candies" made from lemon or peppermint flavors were popular in the early nineteenth century...A significant moment in candy history occured at the 1851 Great Exhibition in London, where "French-style" candies with rich cream centers were first displayed...But it was the discovery of milk chocolate in Switzerland in 1875 that made the American candy bar such a phenomenon of the late nineteenth century."
---Encyclopedia of American Food and Drink, John F. Mariani [Lebhar-Friedman:New York] 1999 (p. 54-5)
[NOTE: This source has much more information than can be paraphrased. Ask your librarian to help you find a copy. It also contains separate entries for specific types of candies.]

Recommended reading


Sponge candy
The general concensus of newspaper articles and Web sites place the origin of "sponge candy" in upstate New York. Buffalo appears to be the epicenter. We find much information about the current product but scant details regarding the history of the recipe. Many sources (including company Web sites) vaguely date the recipe in the 1940s. The origins are family secrets.

Apparently this product (or similar products) is known in other parts of the country by different names: fairy candy, fairy food, sea foam, angel food and honeycomb toffee. An examination of old confectionery texts confirms recipes with these names. Some of these may approximate sponge candy, others might produce very different products. One of "signature" ingredients in sponge candy is baking soda. This ingredient is generally omitted from the other recipes.

"Those who know about it come in with mouths watering, cast their gaze across the rows of chocolate creams and molds to see if they'll taste any today. You see, to get sponge candy at Stone Brothers Home Made Candies, conditions have to be jsut right. And that means candy junkies are sometims left wanting for a delicacy seldom found outside upstate New York. "It's something I don't think exists in other parts of the country," said William Long...Other than Stone's a nine-worker enterprise...Long knows of only three small companies in Buffalo that make the melt-in-your-mouth mixture of corn syrup, sugar, water, gelatin, baking soda and chocolate..."Usually the only place you see it in Central New York is in a retail shop,"...While whipping up a batch shortly before Christmas, Stone's owner...said, "Some people comapre the taste to malted milk balls, but it's not quite like that...Stachowicz and candymaker Tom Wall make 1,000 pounds of sponge candy from early November through April. They make about 150 pounds at a time in a painstaking two-day process. "Weather conditons have to be perfect,"...Atmosphere pressure must be above 30 pounds per square inch and humidity must be below 50 percent in the back shop. Without those conditions, warm, moist air sucks too many bubbles out of the sponge and takes away the scratchy chewiness that defines the product...It starts with a 60-pound copper bowl, coarse sugar, thick corn syrup, water, a long wooden stick and a tall thermometer. When the mixture bubbles to 293 degrees, the copper bowl is removed from a gas-fired stove and gelatin is added. In exactly 90 seconds, baking soda is added, turning the mix from a dark tan to a light gold...the mixture [put] "to sleep" overnight in 2-foot-by-4 foot metal boxes...called "coffins." [the candymaker] covers the boxes with blankets. Next morning, the "heart" of the mix is coated with a 1/45-inch thick swirl of wood-hard candy..."It's impossible for someone to make a small batch at home because the tough hide would swallow the tender core...[the candymaker] cuts the core int o 1-by-1 inch squares...[and them] takes the squares to the "enrobing room," where they are dressed in either light or dark chocolate...Sponge candy is one of 33 recipes Raymond Stone passed along with the store, Stone, who started making candy in his basement in 1940, died several years ago."
---"Move Over, Candy Bars: Sponge candy 'Eats like a Million Bucks'," Scott Scanlon, Post-Standard (Syracuse NY), January 8, 1992 (Accent, P. 1)

Buffalo Sponge Candy/ Barry Popik
Sponge Candy FAQs

There are plenty of recipes for sponge candy on the Internet. This is the only one we found with "fairy" in the title. It is similar.

"Fairy Candy
Light, airy chocolate-covered candy.
1 c. sugar
1 c. dark corn syrup
1 T. vinegar
1 T. baking soda Sweet chocolate for dipping.
Mix sugar, syrup, and vinegar in a large saucepan. Cover tightly and bring to a boil. Uncover and place thermometer in pan. Without stirring, cook over medium heat to 300 degrees F. Gradually lower heat as mixture thickens to prevent scorching. Remove from heat and quickly stir in baking soda and vanilla. Turn into a buttered 9 X 13-inch pan. Do not spread as candy will spread itself. Cool. Break into pieces. Dip pieces into prepared sweet chocolate. Place on waxed paper to harden. Makes about 35 pieces."
---Ideals Candy Cookbook, Mildred Brand [Ideals Publishing:Nashville TN] 1979 (p. 44)


Why are confections sometimes called "sweetmeats?" Laura Mason, British confectionery history expert, explains:

"The anamolies in our own language are due to the origin of sweets or sweeties...as diminutives of sweetmeat. This word, still not entirely obsolete, was in common use for over 400 years to the end of the nineteenth century. The suffix-meat has an archaic meaning of food in the widest sense (surviving in the phrase 'meat and drink'), so sweetmeat simply means a sweet food...To the inhabitants of Tudor and Stuart England, sweetmeats were sugary foods in general, including pieces of flavoured candy and sugar-covered nuts and spices, products of medieval theories on the medicinal value of sugar, as well as dishes which used sugar as one ingredient amongst many, for structure, sweetness and an air of the exotic...Medieval feasts had provided several roles for sweetmeats."
---Sugarplums and Sherbet: The Prehistory of Sweets, Laura Mason [Prospect Books:Devon] 2004 (p. 22)

Definitions, please. A thorough study of this topic requires comparing/contrasting dictionary definitions, literary references and cooking texts through time. Martha Washington's Booke of Sweetmeats, circa mid 18th century, is an excellent middle ground/starting point for studies in time. This comprehensive catalog with instructions exemplifies the time when British and American confectionery were one in the same. This book is readily available; published as Martha Washington's Booke of Cookery, transcribed by Karen Hess, Columbia University Press ISBN 0231049315. Your local public librarian can help you obtain a copy.

The Oxford English Dictionary dates first the print reference to sweetmeats to the 16th century and defines it thusly:
"1. collect. pl. (and †sing.) †Sweet food, as sugared cakes or pastry, confectionary (obs.); preserved or candied fruits, sugared nuts, etc.; also, globules, lozenges, ‘drops,’ or ‘sticks’ made of sugar with fruit or other flavouring or filling; sing. one of these.
a1500 Chester Pl. (Shaks. Soc.) I. 143, I knowe that in thy childehoode Thou wylte for sweete meate loke. 1584 J. Lyly Sapho & Phao v. ii. 9 Giue him some sweete meates. 1593 (1505) R. Henryson Test. Cresseid (Charteris) 420 in Poems (1981) 124 The sweit meitis seruit in plaittis clene With saipheron sals of ane gude sessoun. 1597 Shakespeare Romeo & Juliet i. iv. 76 Their breathes with sweet meats tainted are." (2nd edition, accessed online 15 April 2011)

American English definitions generally mirror the British:

"Sweetmeat. 1. a sweet delicacy, prepared with sugar honey or the like, as preserves, candy, or , formerly, cakes or pastry. 2. Usually, sweetmeats, any sweet delicacy of the confectionery or candy kind, as candied fruit, sugar-covered nuts, sugarplums, bonbons, or balls or sticks of candy."
---Webster's New Universal Unabridged Dictionary, fully revised and updated [Barnes & Noble Books:New York] 1996 (p. 1922)

"Sweetmeat. 1. a food rich in sugar as a: candied or crystallized fruit b. candy, confection."
---Webster's Ninth New Collegiate Dictionary [Merriam-Webster:New York] 1988 (p. 1192)

The Art of Confectionery, Ivan Day


Candy butchers
The term "Candy Butcher" has two meanings. The primary definition is a concessionaire hawking sweets on trains, circuses, state fairs, and movie theatres. It was a popular profession for young boys, who were strong (they had to carry their wares in a large carton/tray hooked around their neck), outgoing (they had to actively promote their wares to make money) and savvy (spot potential customers, make change on the spot). Young Thomas Edison was a candy butcher servicing railroad passengers.

We also find references to "Candy Butcher" shops. These are less common. Some confectioners crafted cheap novel candies shaped in meat forms (bologna and sauerkraut) in the Philadelphia area during the early 1920s. We have no details regarding how these shops operated or what they looked like. Were they, in fact, set up to emulate traditional butcher shops selling novel "meat" shaped confections? Or were "Candy Butcher" shops simply capitalizing on a popular phrase, selling penny candy of all sorts?

About the candy butcher profession
"263. Concessioner, butcher, September 19, 2004 - I have a question as to why a concessioner is called a butcher, at the circus. Is there a historic reason or story?... Reply: September 19, 2004 - Here's what Joe McKennon has to say about it in Circus Lingo - "Candy Butcher: Concession salesman who sells concession items on the circus seats before and during a performance. The story is that the first person to do this was the animal meat butcher on the Old John Robinson Show sometime before the Civil War. He was so successful, he was able to quit his job as meat butcher. When others started selling items on the seats they were called butchers also. When the new railroads allowed men to sell confections and newspapers on their trains they were also called butchers, 'news butchers.'" J. Griffin. Reply: September 19, 2004 - Joe McKennon's definition of "Candy Butcher" in Circus Lingo about a concession salesman who sells to the crowd is exact. The Webster's New World Dictionary of the American Language defines "Candy Butcher" as selling confections and newspapers on trains. As for being attributed to a butcher hired between 1856 and 1860 on the John Robinson Circus, it is a matter of conjecture. Hawking merchandise such as candies, peanuts, drinks, etc., is like butchering meat. Cutting a carcass into pieces and putting it on a tray. We must consider that before the advent of pink lemonade and cotton candy they did sell sausages at the circus. The etymology for salesman in the 19th Century was "Drummer" which gave us the expression "To drum-up business." Appropriating a word to give it a different meaning is part of the American tradition in the use of slang. Giovanni Iuliani."
SOURCE: Circus Historical Society message board.


Candy packaging through time
Food historians confirm confectionery packaging through time is a complicated issue. Not only is packaging period-dependent (technologically possible options), but venue (penny-candy street vendors vs shops catering to wealthy clients), occasion (
Valentines gift, everyday candy bar) and product (chocolate bars are packaged quite differently from gumdrops) factor in as well Laura Mason, confectionery history expert, offers these notes:

"Containers are essential; they help maintain low humidity, hold sweets together, and protect them during transport. Before the nineteenth century, options were limited. Fruit in syrup was mostly stored in earthenware gallipots, and small sugar confections and pastes in oblong or round boxes made of thin sheets of matchwood...'Jar glasses' (small, cylindrical glass containers) were in use by the seventeeenth century but they are rarely mentioned. They were expensive, limited to wealthy households or enterprises. Glass jars probably did not become common until the late eighteenth century when, though used as storage containers, their emphasis had switched to a means of display. They include straight jars presumably for conserves or jams, small, stemmed glasses for jellies and larger ones with lids for sweets and comfits. Tall straight-sided and later ones with lids are also shown. Glass was used more and more to show off the bright colours and clarity of newly fashionable, transparent acid and fruit drops to brilliant advantage in the 1830s and '40s...Another imporant innovation, from the 1850s onwards, was the airtight tin--especially for toffee. Functional yet decorative, these became coveted in their own right. Commemorative versions were produced for national events, or the patterns designed so that a set of tins with themed pictures was avaialble. Transparent wrapping is a product of our own age. Cellophane was introduced in the 1920s and plastics followed later."
---Sugarplums and Sherbet: The Prehistory of Sweets, Laura Mason [Prospect Books:Devon] 2004 (p. 202-3)

"Wrappers, although treated as so much waste paper, account for much of the colour perceived in confectionery by the modern observer. This is a phenonemnon of the last hundred years. Before, a scrap of paper wrapped round a sugar stick or twisted into a cone (the origin of the triangular paper bag) was the most one could expect when buying sweets in the street. These wrappers were themselves waste paper. Henry Mayhew recorded how one street-seller of sweet stuff bought paper from stationers or secondhand book shops, including the Acts of Parliament, 'a pile of these a foot or more deep, lay on the shelf. They are used to wrap rock &c. sold.' Smarter confectioners used paper wrappers with cut or fringed ends twisted around sweets. A French custom of making these up as packets of bonbons for presents at New Year is metioned by Jarrin. The London confectionery Tom Smith is said to have commercialized the idea in Britain. His bonbons consisted of several sweets wrapped together in tissue paper, with mottoes enclosed. They were first introduced as a Christmas novelty in the late 1840s. Shortly afterwards, Smith added a 'bang', evolving the modern Christmas Cracker. The theory is that the idea was provided by a spark leaping out of the fire one night. However, exploding 'cracker bonbons' were apparently known some years earlier."
---ibid (p. 205)

"Initially, chocolate was packed as unwrapped bars in wooden boxes with paper labels, displayed on the shop counter. Individual paper wrappers developed soon afterwards. Gold printing and metal foils repeated this luxury message which gold leaf had given to sweets in earlier centuries. Designs used the latest images, and graphics publicized the desirability of chocolate. Even more status was attached to special boxes, decroated with pcitures, lined with tissue and paper lace. As the package, not the contents, occupied more and more of the foreground, so advertising has shifted almost entirely from the taste of confectioenry towards style by association."
---ibid (p. 207-8)

"Most companies concentrated on indivudally wrapped toffees as opposed to bulk tray toffee sold by weight. They were popular, kept well, and sold at a lower price than chocolate while maintaining a luxurious image. This was done partly by advertising and packaging. Robert Opie examined the role of packaging, especially tins, in marketing confectionery, and commented on toffee: 'splendid and glamorous tins abounded with bright colours and decorative patterns. The use of a tin also enhanced the status of the toffees, making them a more acceptable gift in comparison with the prestigious box of chocolates'."
---ibid (p. 191)


Penny candy

The term "penny candy" is an interesting one. Generally, "penny candies" were small, inexpensive, unwrapped pieces sold by weight. They were scooped by the store owner and sold in bags or boxes. Because different candies were sold for different prices, a penny could buy several pieces of small hard candy or one peppermint stick. These candies appealed to children and poor working people, who did not have much money to spend.

"A significant moment in candy history occurred at the 1851 Great Exhibition in London, where "French-style" candies with rich cream centers were first displayed. These caught on immediately in America, and within a few years there were more than 380 candy factories in the United States, many turning out candy that cost one cent (called "penny candy"), a price that extended well into the twentieth century. Most of these candies were sold in batches or by the pound and displayed behind glass cases."
---Encyclopedia of American Food and Drink, John F. Mariani [Lebhar-Friedman:New York] 1999 (p. 54)

"Penny candies, the first goods children spent their own money on, were also the first confections to reach a mass audience in America. By the late 1830s sugar's increasing availability and decreasing price enabled confectioners to profitabaly produce sugary drops without the medicine typically found in druggists' stocks. Unlike exclusive confections marketed to elite adults, these "penny candies," often sold ten to a dozen for a penny, were aimed at the palates of working-class children, for whom a penny was in reach. By the early 1850s individual candy men could readily obtain the machinery and raw materials necessary to profit from making batches of candy in greater quantities. ..Penny candies introduced nineteeth-century children to the world of consumption by teaching them to how to be good consumers...Brightly colored and often displayed in shop windows in glass jars, penny candies...often came in the shape of familiar consumer products, such as shoes, boats, hats, and purses...By the early 1870s penny candies were ubiquitious, appearing not only in candy shops but also in tobacco stores and five-and-dimes, and at newsstands and movie theatres. By the mid-twentieth century the penny candy no longer existed except as more expensive nostalgic root beer barrels, cinnamon-hot fireballs, and flavored candy sticks." ---Oxford Encyclopedia of Food and Drink in America, Andrew F. Smith editor [Oxford University Press:New York] 2004, Volume 1 (p. 177)

While candies were sold for pennies in the 19th century, the term "penny candy," according to the Oxford English Dictionary, first appears in prinnt in the New York Times, April 2, 1893 (p. 12): "The personal peace of mind and the contentment of my small fry which I have purchased with the outlay of a single cent are little short of collosal. I had to draw the line at the penny candy of the goodnatured German woman who presides over the treasures of the establishment and insist upon the children buying their occasional goodies at the drug store."

[1937]
"Mayor La Guardia has ordered the police to put an end to the penny candy 'racket' it was announced yesterday. This 'racket,' it was explained, is the practice of selling penny candy or gum to children through the lure of prizes to lucky purchasers. The prizes range from pennies to pennants. The Mayor, upon learning of the candy gambling, said to be specially prevalent in the vicinity of public schools, wrote to Police Commissioner Valentine, instructing him to put an end to it. The police, by the Mayor's direction, will issue warnings for a week. After that, shopkeepers found to be selling candy and gum of the gambling variety, will be arrested...In his letter the Mayor charged that this method of candy selling especially 'exploits children who are unable to protect themselves.'...'It is clear that the practice is of a reprehensible sort which the commmon law and criminal statutes have long deemed to be contrary to public policy.' One method of candy gambling...consisted of the display of a number of pieces of candy, a few of which have a penny concealed inside their wrapping. Another gives prizes for pieces of candy with colored centers, white centers bringing no return. Lucky purchasers of colored gum balls also receive prizes, usually pennants... Another type of candy has its purchase price, ranging from 1 to 3 cents, inside the wrapper. Candy sold in this way, the Mayor charged, is either smaller than that sold legitimately or is of inferior quality. 'I have conferred with educational and social welfare authorities on this subject,' said the Mayor, 'and they are in agreement that this practice encourages and engenders gambling in children."
---"Mayor Orders End of Penny Candy 'Racket'; Encourages Gambling in Children, He says," New York Times, April 4, 1937 (p. 1)


About sugar & sweeteners

ABOUT REFINED SUGAR

"...the Chinese claim to have been the first to make cane sugar, among their many other inventions. The craft may have been practised from very ancient times in the region of Ku-ouang-tong (Canton), but it seems more likely and more logical that they learned it from the Indians. In fact there is a clear statement to that effect in the Natural History of Su-king, of the seventh century AD...Sugar cane, a giant grass, is native to India and in particular the Ganges delta...Indian tradition--and tradition often bears out scientific theories--places the origin of sugar cane a very long way back. According to legend, the ancestors of Buddha came from the land of sugar, or Gur, a name then given to Bengal. The Sanskrit epic of Ramanyana (c. 1200BC) describes a banquet with tables laid with sweet things, syrup, canes to chew'...Seven centuries later, when Darius made his foray in to the valley of the Indus, the Persians in their turn discovered a reed that gives honey without the aid of bees' and brought it home with them...Eventually invasions, conquests and trading caravans, most notably those of the Assyrians, spread sugar cane all through the Middle East, from the Indus to the Black Sea, from the Sahara to the Persian Gulf...It syrup, considered a spice even rarer and more expensive than any other, was used in medicine by the Egyptians and Phoenicians even before the Greeks and Romans; it is this pharmaceutical use that gives sugar cane its species name "officinarum."...Until modern times...sugar was an expensive medicine to Europeans, or a luxury reserved for the rich and powerful, a fabulous food brought from beyond the deserts by caravans than ended their journeys in the ports of the eastern Mediterranean...The Arabs installed the first industrial' sugar refinery on the island of Candia or Crete--its Arabic name, Quandi, meant crystalized sugar'--around the year 1000."
---History of Food, Maguelonne Toussaint-Samat,Translated by Anthea Bell [Barnes & Noble Books:New York] 1992 (p. 549-554)
[NOTE: This book has much more information than can be paraphrased here. Ask your librarian to help you find a copy.]

"In medieval times the growing of sugar had gradually spread westwards. By the year 1000 it had reached the Middle East and the coast of east Africa. Around 1500, sugar plantations were begin in the new colonies, notably in the Canaries and the West Indies. Thus, from the sixteenth century onwards, we can read first-hand descriptions by Europeans of how to grow the cane and how to refine the sugar cane...Investment in the planting and manufacture of sugar continued unchecked until, in the seventeenth century, the world market collapsed. The price of sugar dropped like a stone. In the West Indies, around 1700, there were far too many sugar plantations and far foo much sugar being produced...This low price was a good reason to experiment with sugar confectionery, which had already become complicated, varied, multi-flavoured and much loved in seventeenth-century Europe. The making of rum was another use for sugar, or rather for the refuse and by-products of the sugar industry."
---Dangerous Tastes: The Story of Spices, Andrew Dalby [University of California Press:Berkeley CA] 2000 (p. 28-9)

"...it would not be Columbus of the Spanish but rather the British who would succeed in realizing this [establishing sugar cane in the New World] goal, and in spectacular fasion. British colonies established on Barbados in 1627 and on Jamaica in 1655 came to be devoted almost exclusively to sugar production, with the requisite labor provided by slaves imported from Africa. For centuries sugar had been made by pressing short lengths of sugarcane stalks through a roller mechanism until syrup was exuded. The syrup was then evaporated by boiling--one, two, or several times depending on the degree of refinement desired--and pourd into loaf-shaped vessels to cool and harden. During the cooling stage, 'the emerging 'raw sugar' [would leave] behind it molasses, or treacle, which [could not] be crystallized further by conventional methods," but which could be consumed. Proving to be a great deal cheaper than crystallized sugar, molasses was in fact consumed in vast quantities...In New England sugar appears in the records from an early date...In the eighteenth century sugar was regularly advertised in Boston newspapers, and it was on sale in other communities as diverse as coastal and mercantile Portsmouth, New Hampshire, and interior and agricultural Deerfield, Massachusetts... Seventeenth-century immigrants to the colonies "were advised to defer their sugar purchases" until reaching their destinations, because sugar would be cheaper there than it had been at home."
---America's Founding Food: The Story of New England Cooking, Keith Stavely & Kathleen Fitzgerald [University of North Carolina Press:Chapel Hill] 2004(p. 214-216)

RECOMMENDED READING

SUGAR CONES & LOAVES
From Medieval times to the 19th century, refined sugar was sold in solid form, often in cones, blocks or loaves. The standard unit of measure in the United States and United Kingdom (also used in recipes) was the pound and increments thereof.

"Sugar finally came to the sixteenth- and seventeeth-century consumer in blocks or cones, in varying degrees of refinement. This accounts for the elaborate directions for clarifying sugar, and the reiterated instructions to searce (sift) or powder it. (Powdered sugar was only finely sifted sugar, not confectioners' sugar). Block sugar also accounts for the strewing of scraped sugar that made for a charming textural and taste contrast that we have all but forgotten.The presence of sugar in so many of our meat recipes, almost in conjunction with fruits and spices...is part of our heritage from medieval cooking, which, in turn, had come from the Arabs. It is virtually impossible to give precise amounts of sugar It is virtually impossible to give precise amounts of sugar required..."
---Martha Washington's Booke of Cookery and Booke of Sweetmeats, Transcribed by Karen Hess [Columbia University Press:New York] 1995 (p. 11)

"Large and prosperous households bought their white sugar in tall, conical loaves, from which pieces were broken off with special iron sugar-cutters. Shaped something like very large heavy pliers with sharp blades attached to the cutting sides, these cutters had to be strong and tough, because the loaves were large, about 14 inches in diameter at the base, and 3 feet high [15th century]...In those days, sugar was used with great care, and one loaf lasted a long time. The weight would probably have been about 30 lb. Later, the weight of a loaf varied from 5 lb to 35 lb, according to the moulds used by any one refinery. A common size was 14 lb, but the finest sugar from Madeira came in small loaves of only 3 or 4 lb in weight...Up till late Victorian times household sugar remained very little changed and sugar loaves were still common and continued so until well into the twentieth century..."
---English Bread and Yeast Cookery, Elizabeth David [Penguin:Middlesex] 1977 (p. 139)
[NOTE: Mrs. David has much more to say on the subject of sugar than can be paraphrased here. Ask your librarian to help you find a copy of this book.]

"Conical molded cakes of granualted sugar, wrapped in blue paper & tied, as customary for maybe centuries in Europe, & in US in 18th - early 19th C. This one is from Belgium, but form is the same. About 10"H x 4 3/4"diam...The blue paper wrapped around sugar loafs was re-used to dye small linens a medium indigo blue...Sugar nippers were necessary because sugar came in hard molded cones, with a heavy string or cord up through the long axis like a wick, but there so that the sugar should be conveniently hung up, always wrapped in blue paper...Conical sugar molds of pottery or wood were used by pouring hot sugar syrup into them and cooling them until solid. They range from about 8' high to 16" high. These molds are very rare, especially those with some intaglio decoration inside to make a pattern on the cone...Loaf or broken sugar-A bill of sale form Daniel E. Baily, a grocer of Lynchberg, VA, dated 1839, lists two types of sugar sold to John G. Merme (?). "Loaf sugar" and "Broken sugar," the latter cost half as much...Loaf was 20 cents a pound, and broken it was only eleven cents a pound. For cooking, the broken would have been more convenient by far...Perhaps the fear of adulturation...made people want the Loaf."
---300 Years of Kitchen Collectibles, Linda Campbell Franklin, 5th edition [Krause Publications:Wisconsin] 2003 (p. 100-101)
[NOTE: other sources say blue paper was employed because it made the sugar appear whitest/most pure.]

"Various kinds of sugar were available in the 18th century, with names indicating either the extent of the processing which they had undergone or the manner of presentation for sale. It normally came in a loaf', of a conical shape...Some of these terms are self-expalnatory, while others are readily understood in the light of early methods of refining sugar. There were succinctly described by the great Swedish naturalist Linnaeus [1741]...Here the coarse and unrefined raw sugar was pulverized and boiled in water, diluted with lime-water, mixed with ox blood or egg white, skimmed and poured into inverted cone-shaped moulds, perforated at the tip; from these a syrup trickled down into a bottle; this was repeated, and then the mould was covered with a white, dough-like French clay in Sweden, but it has to be imported.' What Linnaeus witnessed was sugar refining...Lump sugar was just lumps broken off the loaf, whereas powdered sugar had been grated from the loaf'"
---The Art of Cookery Made Plain and Easy, Hannah Glasse, facsimile first edition, Introductory Essays by Jennifer Stead and Priscilla Bain, glossary by Alan Davidson [Prospect Books:Devon] 1995 (p. 200)

"Colonial cooks used many grades and kinds of sweetening, both solid and liquid. Virtually all were derived from sugarcane...At earliest settlement in America, sugar was used both medicinally and to season dishes lightly. By the beginning of the nineteenth cnetury, it was called for in a substantial number of recipes for baked goods, puddings, and pies...To supply this increasing demand for sugar, the Caribbean islands and the American South became ever more involved in growing canesugar and refinings its juice for export. A labor-intensive crop and process, the production of sugar consumed the lives of many African slaves without whose unpaid work it would not have been so profitable. The primary forms in which sugar was sold during the Colonial period were white refined sugar in loaves; soft, brown sugar; and molasses. All sugar was boiled out of the juice extracted from the crushed sugarcane. The juice was cooked until granules of sugar began to appear in the thick molasses, whereupon it was packed in barrels. Molasses was allowed to drain out, and the barrels were sent to the refiners or sold as raw, or muscavado, sugar. Refining was another complicated process, and there were several refining methods used in the Colonial era."
---Food in Colonial and Federal America, Sandra L. Oliver [Greenwood Press:Westport CT] 2005 (p. 77-8)

"...it would be useful to review the various grades of whole-sale sugar as they were designated in Pennsylvania during the nineteenth century. The following list is taken from Hope's Philadelphia Price-Current for October 5, 1807:
Havana white
Havana brown (like Brasilian Demarara)
Muscovado 1st quality
Muscovado 2nd quality
Muscovado ordinary
West India clayed white
West India clayed brown
Calcutta white
Batavia white
Of these, ordinary muscovado was the cheapest, just about half the cost of Havana white, the most expensive sugar then available and the one most like the white granulated sugar of today. Cheap, black, sticky moscovado or brown Demarara-type sugars were the most common table sugars used by the Pennsylvania Dutch. Like molasses, moscovado sugar was always in great demand, even in the eighteenth century, for it was one of the first sugars to be advertised in the Philadelphia America Weekly Mercury of 1719. Regardless of grade, sugar was imported in large cones or loaves...Once the loaves of sugar reached the United States, they were usually purged or refined again and converted into smaller loaves for retail sale and wrapped in blue paper to preserve the whiteness. In spite of this precaution, none of the retail loaf sugar was usable until it was boiled again in water to remove insects and other extraneous material. This irksome process involved egg whites, charcoal, and constant skimming. The syrup was then strained through a cloth bag until clear, returned to the fire, and boiled down."
---Sauerkraut Yankees: Pennsylvania Dutch Foods and Foodways, William Woys Weaver, 2nd edition [Stackpole Books:Mechanicsburg PA] 2002 (p. 152-4)

GRANULATED SUGAR
Our survey of American Historic Newspapers (Readex) reveals the term "granulated sugar" was used from the 1820s forward. Prior to this time, white sugar was sold in solid cones. The sugar was scraped off and pounded to achieve the desired textures.

General overview of 19th century manufacturing processes:

"Granulated sugar. This very popular and strictly American style of sugar was first made and introduced about thirty years ago at the Boston Sugar Refinery. Although extremely popular in the United States since its origin, it has become popular in England only within a few years past. The apparatus at first consisted of a steam table fifteen or twenty feet long and three to five feet wide, on which the moist sugar was, by an ingenious process or movement of wooden rakes, gradually worked the length of the table, becoming thoroughly dried in so doing. Afterward it was separated by sieves of different grades or mesh, into coarse and fine, and barreled and sold accordingly. This apparatus was superceded ten or twelve years since by a large cylinder of wood or iron, some four feet in diameter and fifteen to eighteen feet long, slightly depressed at one end. The inner surface carries small projecting buckets, by which, as the cylinder revolves, the sugar, entering at the upper end, is lifted and poured through the heated interior. The heat is supplied by a small steam cylinder running through the length and center of the large one, and the position of the buckets is such as gradually to work the sugar throught the length of the cylinder, during which it becomes thoroughly dried. An arrangement of sieves, as before, completes the operation. The upper one has the coarsest mesh, to retain the largest grains, which are run directly from it into barrels and branded "extra granulated." The sugar which falls throught his first sieve drops into the next below, which has a mesh just fine enough to retain the grains next in size to those before mentioned, which are run into barrels and designated as "medium granulated." The remaining sugar, too fine to be retained by either sieve, is packed in barrels under the name of "fine granulated." Powered sugar is mostly manufactured from the coarsest granulated sugar, after it has been thoroughly cooled. The powdered articles, are mostly manufactured in smaller establishments as a specialty. Other grades of sugar are obtained from the liquor or syrup which is thrown out by the centrifugul, in the process of separating the crystallized sugar from the "mother liquid.""
---The Grocers' Hand-Book and Directory for 1886, Artemas Ward [Philadelphia Grocer Publishing Co.:Philadelphia PA] 1886 (p. 227-228)

MOLASSES
A popular, economical 17th/18th century substitute for refined white sugar. One of the primary points of the Triangle Trade (the other two being rum and slaves). Well known by period cooks in England and America.

"Molasses...as sweetener made from refined sugar, including cane sugar, sugar beets, and even sweet potatoes. The word is from the Portuguese 'melaco', derived from the Latin 'mel' for honey. The first use of the word was in Nicholas Lichefield's 1582 translation of Lopez de Castanheda's First Booke of the Histoire of the Discoverie and Conquest of the East Indias, which described 'Melasus' as a 'certine kind of Sugar made of Palmes of Date trees'. Molasses became the most common American sweetener in the eighteenth century because it was much cheaper than sugar and was part of the triangular trade route that brought molasses to New England to be made into rum, which was then shipped to West Africa to be traded for slaves, who were in turn traded for molasses in the West Indies...By the end of the [19th] century molasses vied with maple syrup and sugar as the sweetener of choice, but when sugar prices dropped after World War I, both molasses and maple fell in popularity, so that today both are used as sweeteners in confections only when their specific taste is desirable, as in Boston baked beans."
---The Encyclopedia of American Food and Drink, John F. Mariani [Lebhar-Friedman:New York] 1999 (p. 207-8)

"Molasses first came to America from the Caribbean. The British started sugarcane cultivation in Barbados in 1646, and by the late 1670s there was a flourishing two-way sea trade between Barbados and the American colony at Rhode Island. The colonists shiped agricultural and forest products, such as pork, beef, butter, cider, barrel staves, and shingles, to the West Indies, and the ships returned with cargoes of cotton wool, rum, molasses, and sugar. The large volume of sugar and molasses going to Rhode Island could not be used there, so much of this cargo was resold in Boston. The New England colonists used molasses not only as the primary sweetener in cooking and baking but also as an ingredient in brewing birch beer and molasses beer and in distilling rum. In the early 1700s rum made in New England became an essential element in a highly profitable triangular trade across the Atlantic. The colonists exported rum to West Africa in trade for slaves; the ships brought the slaves from Africa to the French West Indies, trading them for more molasses and sugar; these products were then shipped to New England to make more rum. Because importation of molasses to New England from the French West Indies seriously harmed British farmers in the Caribbean, the British government passed the Molasses Act in 1733. This law imposed a duty on "foreign" molasses or syrup imported into the American colonies or plantations...The Molasses Act of 1733 and the Sugar Act of 1764 caused the price of molasses to rise, leading to the use of less expensive maple sugar as a sweetener. When the cost of refined sugar dropped at the end of the nineteenth century...molasses lost its role as an important sweetener in the American diet."
---Oxford Encyclopedia of Food and Drink in America, Andrew F. Smith editor [Oxford University Press:New York] 2004, Volume 2 (p. 122-3)

"Molasses, from the Latin word melaceres, meaning honey-like, is a thick dark syrup that is a byproduct of sugar refining. It results wen sugar is crystallized out of sugar cane or sugar beet juice. Molasses is sold for both human consumption, to be used in baking, and in the brewing of ale and distilling of rum, and as an ingredient in animal feed. The pressing of cane to produce cane juice and then boiling the juice until it crystallized was developed in India as early as 500B.C. However, it was slow to move to the rest of the world. In the Middle Ages, Arab invaders brought the process to Spain. A century or so later, Christopher Columbus brought sugar cane to the West Indies."
---How Products Are Made, Jacqueline L. Long, editor, Volume 5 [Gale:Farmington Hills MI] 2000 (p. 316-320)
[NOTE: this book has much more history and an excellent description of how molasses is made. If you need more details please ask your librarian to help you find this book.]

"When cane sugar began to reach the colonists from the West Indies, it was for a long time far too expensive for general use. Hence there was instead wide use of its cheaper by-product, molasses. The abundance of cheap molasses created the profitable New England rum industry."
---Eating in America: A History, Waverly Root & Richard de Rochemont [William Morrow:New York] 1976 (p. 83)

Recommended reading: Sweetness and Power: The Place of Sugar in Modern History/Sidney W. Mintz

See also: treacle.

TREACLE

"The word treacle originally had nothing whatsoever to do with 'syrup'. Until as late as the nineteenth century, it was used with reference to antidotes for poison...It comes originally from the Greek phrase theriake antidotos, literally 'antidote to a wild or venomous animal'. The adjective theriake came to be used on its own as a noun, and passed via Latin and Old French (where it acquired its l) into fourteenth-century English. its ingredients varied from apothecary to apothecary, but usually included, presumable on homoeopathic grounds, a touch of viper's venom. Bt the sixteenth century, the word was becoming generalized to mean any 'soverign remedy', and often had rather negative connotations...The modern application of treacle to sugar syryup (common in British English, relatively rare in American) seems to date from the seventeenth century, and probably arose literally from the sugaring of the pill: the mixing of medicines with sugar syrup to make them more palatable. The practice continued well into the nineteenth century, particularly in the administration of brimstone [sulphur] and treacle to anyone with the least symptom of anything...In technical usage, treacle now refers to a cane sugar syrup which has been boiled to remove some of the sucrose (it has less removed than molasses, which is therefore darker but less sweet). The famous treacle well in Lewis Carroll's Alice in Wonderland, at the bottom of which, according to the Dormouse, the three little sisters Elsie, Lacie, and Tillie lived, had its origins in the medicinal sense of treacle. Treacle wells really existed--they got their name from the supposed curative properties of their water--and there was apparently one at Binsey near Oxford with which Carroll may have been familiar."
---An A to Z of Food and Drink, John Ayto [Oxford University Press:Oxford] 2002 (p. 349)

"Treacle, a term in Britain may be correctly applied to various sugar syrups including golden syrup obtained during the process of sugar-refining, ranging in colour from just about black to pale golden, is in practice used mainly of the darker syrups, brown or black, which are called molasses elsewhere. Treacle tart is a favourite dessert in England."
---Oxford Companion to Food, Alan Davidson [Oxford University Press:Oxford] 1999 (p. 804)

"When the production of molasses in Britain's refineries outstripped the needs of both apothecaries and distillers, it was sold off in its natual unmedicated state as a cheap sweetener, Its name of molasses was taken by the early settlers to America. But in Britain in the later seventeenth century the alternative term 'common treacle' came into circulation, and thereafter it was known simply as treacle. One of the first usus to which it was put was the making of gingerbread. Medieval gingerbread has been coloured red with sanders. In Tudor times dark gingergread was made with powdered licorice. When the licorice was replaced by black treacle, it became possible to omit the honey which had sweetened the old gingerbread, and to add a much smaller mount of sugar instead. Treacle gingerbread, said to have been made for Charles II, had as ingredients three pounds of treacle, half a pound each of candied orange peel, candied lemon peel and green citron, two ounces of powdered coriander seed, and flour to make it into a paste. But ordinary folk made do with no more than two ounces candied peel and one ounce ginger and new spice to three pounds of flour and two of treacle. By the later eighteenth century treacle consumption was much higher in northern England than in the south; for the diet of the poorer classes now differed considerably between the two regions. In the north a spoonful of treacle was often added to a bowl of oatmeal porridge, a dish almost unknown in the south...Treacle went into parkin (the northern form of gingerbread, containing oatmeal), and into oatmeal biscuits of various kinds. it was still a thick, dark brown syrup...The increasing use of sugar and treacle meant a gradual decline in beekeeping."
---Food and Drink in Britain From the Stone Age to the 19th Century, C. Anne Wilson [Academy Chicago:Chicago IL] 1991 (p. 305-6)

See also: molasses.

BROWN SUGAR
Basically, white sugar (granulated to XXX confectioner's) is the product of the most refined processes and has historically been the most expensive/desirable. Real brown sugar takes its color and texture from molasses. Modern food production methods can also create brown sugars by adding colored syrup to white sugars. Which brand of brown sugar did you buy? We can check that company's Web site to find out what they have to say about it.

"Brown sugar...Less refined than white sugar, brown sugar consists of sugar crystals contained in molasses syrup with natural color and flavor. It may also be made by adding syrup to white sugar and blending."
---Encyclopedia of American Food & Drink, John F. Mariani [Lebhar-Friedman:New York] 1999(p. 316)

How is brown sugar produced?
There are two methods for producing brown sugar - boiling and blending - and both are currently in use in Canada. Boiling involves heating a purified sugar syrup, which still contains some of the colour and flavour elements from the sugar cane, until it crystallizes to form a soft yellow or brown sugar. Blending is a process that combines the separately purified white sucrose crystals and refiners' syrups (something like fancy grade molasses) to produce yellow or brown sugar. The difference in the method used to produce brown sugar should not result in a difference in taste or affect the texture and consistency of baked goods. The difference between light (yellow) and dark brown sugar is that the darker brown sugars have more of the refiners' syrup ("molasses") left in the product. Turbinado, Muscovado and Demerara sugars are all specialty brown sugars."
---
Canadian Sugar Institute

Types of brown sugar & their uses:

"Turbinado sugar: This sugar is raw sugar which has been partially processed, where only the surface molasses has been washed off. It has a blond color and mild brown sugar flavor, and is often used in tea and other beverages.
Brown sugar (light and dark): Brown sugar retains some of the surface molasses syrup, which imparts a characteristic pleasurable flavor. Dark brown sugar has a deeper color and stronger molasses flavor than light brown sugar. Lighter types are generally used in baking and making butterscotch, condiments and glazes. The rich, full flavor of dark brown sugar makes it good for gingerbread, mincemeat, baked beans, and other full flavored foods. Brown sugar tends to clump because it contains more moisture than white sugar.
Muscovado or Barbados sugar: Muscovado sugar, a British specialty brown sugar, is very dark brown and has a particularly strong molasses flavor. The crystals are slightly coarser and stickier in texture than “regular” brown sugar.
Free-flowing brown sugars: These sugars are specialty products produced by a co-crystallization process. The process yields fine, powder-like brown sugar that is less moist than “regular” brown sugar. Since it is less moist, it does not clump and is free-flowing like white sugar.
Demerara sugar: Popular in England, Demerara sugar is a light brown sugar with large golden crystals, which are slightly sticky from the adhering molasses. It is often used in tea, coffee, or on top of hot cereals."
---Sugar Association

How available was brown sugar in 19th century America?
These notes from 1807/Philly market lists three types: "...it would be useful to review the various grades of whole-sale sugar as they were designated in Pennsylvania during the nineteenth century. The following list is taken from Hope's Philadelphia Price-Current for October 5, 1807:
Havana white
Havana brown (like Brasilian Demarara)
Muscovado 1st quality
Muscovado 2nd quality
Muscovado ordinary
West India clayed white
West India clayed brown
Calcutta white
Batavia white
Of these, ordinary muscovado was the cheapest, just about half the cost of Havana white, the most expensive sugar then available and the one most like the white granulated sugar of today. Cheap, black, sticky moscovado or brown Demarara-type sugars were the most common table sugars used by the Pennsylvania Dutch. Like molasses, moscovado sugar was always in great demand, even in the eighteenth century, for it was one of the first sugars to be advertised in the Philadelphia America Weekly Mercury of 1719. Regardless of grade, sugar was imported in large cones or loaves...Once the loaves of sugar reached the United States, they were usually purged or refined again and converted into smaller loaves for retail sale and wrapped in blue paper to preserve the whiteness. In spite of this precaution, none of the retail loaf sugar was usable until it was boiled again in water to remove insects and other extraneous material. This irksome process involved egg whites, charcoal, and constant skimming. The syrup was then strained thorugh a cloth bag until clear, returned to the fire, and boiled down."
---Sauerkraut Yankees: Pennsylvania Dutch Foods and Foodways, William Woys Weaver, 2nd edition [Stackpole Books:Mechanicsburg PA] 2002 (p. 152-4)

The recipe below confirms brown sugar (no description, though) was available in the Midwest (Wisconsin) during the 1840s. We did not find any period/place specific advertisements for brown sugar. We cannot tell if this item was commonly available or the provenance of wealthy families who could afford to purchase expensive goods from larger markets. Neither can we tell what is meant here by "ordinary."

"Ordinary brown sugar may be used, a larger portion of which is retained in the syrup."
---"Recipe for Making Tomato Figs," Wisconsin Democrat, September 28, 1843 (p. 3)

CONFECTIONERS' SUGAR
Powdered sugar is the finest grade of granulated white sugar. Confectioners' sugar (also known as icing sugar) is the finest grade of powdered sugar. These sugars are graded by "X," indicating the fineness of the powder.

"Powdered Finely-ground granulated sugar to which a small amount (3%) corn starch has been added to prevent caking. The fineness to which the granulated sugar is ground determines the familiar "X" factor: 14X is finer than 12X, and so on down through 10X, 8X, 6X (the most commonly used) and 4X, the coarsest powdered sugar." ---Sweetener glossary

Food historians tell us powdered sugars were used by European confectioners as early as the 18th century. Technological advances in the 19th century made them available to a wider audience. It is no coincidence that cake icing appeared during this time:
About sugar grades & processing

Sorghum

"Sorghum...There are several varieties of this Old World grass (Sorghum vulgare) that are cultivated for grain, for forage, and as a source of syrup. Sorghum is native to East Africa, where it was being cultivated around 5,000 to 6,000 years ago. Sometime in the distant past (at least 2,000 years ago), the grain crossed the Indian Ocean to India and subsequently made its way to China. More recently, various sorghums reached the New World via the slave trade. Today, grain sorghums are grown extensively in Africa and Asia for use as human food and in the Americas as animals. Some sorghums in North America--like "Johnson grass" and "Mississippi chicken corn"-- probably arrived as the as the seeds of important cultivars, only to escape from cultivation and become annoying weeds. The juices of sorghums have provided humas with syrup for sweetening and in Asia and Africa for the plant supplies malt, mash, and flavoring for alcoholic beverages, especially beers. Sorghum grains are made into flour (for unleavened breads) and into porridges, and they are also prepared and consumed much like rice."
---Cambridge World History of Food, Kenneth F. Kiple & Kriemhild Conee Ornelas [Cambridge University Press:Cambridge] 2000, Volume Two (p. 1854)

"Sorghum...a cereal related and simlar to and sometimes confused with millet, is an important staple food of the upland, drier, parts of Africa and India. In other parts of the world it is chiefly grown as animal fodder. It is native to Africa, and was probably first cultivated in Ethiopia between 4000 and 3000 BC. It spread thence to W. Africa, the Near east, India, and China, and later to the New World...In the USA, in the 19th and early 20th centuries, sorghum syrup was popular as a cheap alternative to maple syrup. Production, mainly in the southerns tates, was as much as 20 million gallons or more annually."
---Oxford Companion to Food, Alan Davidson, 2nd edition, Tom Jaine editor [Oxford University Press:Oxford] 2006 (p. 733-4)

"Historical records trace the sorghum plant...to Africa. Benjamin Franklin was thought to have introduced sorghum to the United States in the late 1700s...Syrup-making techniques came into prominence in the United States around the mid-1800s. Because of the scarcity of sugar during wartime, sorghum syrup was the principal sweetener in many parts of the county."
---Oxford Encyclopedia of Food and Drink in America, Andrew F. Smith editor [Oxford University Press:New York] 2004, vol. 2 (p. 458)

"In earlier days, no kitchen table in the mountains was complete without its glass cruet of sorghum. Many poured sorghum on badly cooked meats and vegetables to give them a sweet kick.. And when the cow went dry, fold would make a butter substitute by micking sorghum and pork drippings. Sorghum came into its own in colonial America as a substitute for sugar. When sugar became available in the 1700s, it was very expensive, being sold in cones and sliced off as needed. Sorghum also was relied upon as a sweetener during the Civil War when Union blockades halted sugar shipments to Southern ports. Syrup made form sweet sorghum is primarily a hill country sweetener with a light amber color. Darker-colored "molasses"--made of sugar cane--is mostly a Deep South product coming from Louisiana and surrounding states. Applachian people call their sorghum sweetener "molasses," the precise term is sorghum or sweet sorghum or sorghum syrup. Sorghum was a key ingredient in moonshine in earlier days...It was during the Prohibition era (1920-33) when whiskey-making progressed to the point where moonshiners, to meet increased demand, turned to sugar to speed up fermentation of what formerly had been pure corn whiskey. The smoother-tasting "sugar whiskey"--corn combined with sugar--zoomed. During the years leading up to World War II, sugar supplied dropped sharply, forcing moonshiners to turn to sorghum for their mash barrels. The syrup, in shiny tin cans, would arrive at distilleries by the truckload...There are mountain folk yet today who love to sweeten their coffee with sweet sorghum."
---Smokehouse Ham, Spoon Bread, & Scuppernong Wine: The Folklore and Art of Southern Appalachian Cooking, Joseph E. Dabney [Cumberland House:Nashville TN] 1998 (p. 424-5)
[NOTE: This book contains far more information than can be paraphrased here. If you need mroe information ask your librarian to help you find a copy.]

More on sorghum.

Corn syrup

Corn syrup was an accidental discovery based on past experiences with other vegetables, most notably potatoes and sugar beets. High Fructose Corn Syrup (HFCS) is a more refined and sweeter version. Invented in 1967, HFCS is widely used in today's processed foods.

CORN SYRUP CHEMISTRY & VARIATIONS
"In the language of corn refining, once the starch matrix has been separated from its protein gluten, the starch is converted by chemical action (an acid or enzymes, or both, are added to starch suspended in water) into "simple" sugar, called a "low-dextrose solution." Sweeteners and tecture (crystal or syrup) are controllled at every point to produce different products, depending upon how much starch is digested by the acid or enzyme...By the same initial process through which the Hopi made "virgin hash," our modern corn refiners make glucose, maltose, dextrose and fructose. The larger the number of these long glucose chains in the molecule, the more viscous the syrup, a quality important to the baking and candy industries because it prevents graininess and crystallization. Without corn syrup, no easy-to-make chocolate fudge. The more complete the digestion of starch, the sweeter the syrup, because the rate of glucose and maltose is higher. Maltose is a "double unit" sugar produced, as in brewing, by enzyme-manipulated starch. By manipulating the glucose unites with an enzyme derived form...Streptomyces bacteria, the refiner can get a supersweet fructose called High Fructose Corn Syrup (HFCS). Today, this is where the king's share of cornstarch goes, becasue this syrup is the sweetener of choice...for the soft drink, ice cream and frozen dessert industries. Although supersweet fructose tastes about twice as sweet as ordinary sugar, we do not as a result consume half as many soft drinks or ice cream cones. On the contrary, American sweetness consumption spirals ever upward..."The family of corn syrups includes hyrdol, or corn sugar molasses, a dark, viscous syrup useful in animal feed and in drugs; lactic acid, a colorless syrup useful as a preservative and flavorer for everything from pickles to mayonnaise; and sorbitol (dextrose plus hydrogen), and emulsifier that shows up in toothpaste and detergents as well as processed edibles."
---The Story of Corn, Betty Fussell [North Point Press:New York] 1992 (p 272)

ORIGINS & EVOLUTION
"Gottlieb Sigismund Kirchhof accidentally discovered that sweet substances could be prepared from starch while working at the Acadmey of Science, St. Petersbug, Russia, during the Napoleonic Wars. Kirchhof needed gum arabic for use in manufacturing porcelain. No gum arabic was available because of the continental blockade imposed by the British at that time. However, a Frenchman, Bouitton-Lagrange, had reported that dry starch, when heated, acquires some of the properties of the vegetable gums. Kirchhof attempted to make a substitute gum arabic from starch by adding some water and acid before heating. As a result, instead of a gummy substance, he obtained a sweet-tasting sirup and a small amount of crystallized sugar (dextrose), a finding he reported in 1811. Because of the extreme shortage of sugar in Eruope at the time, the discovery attracted immediate notice in scientific and commercial circles. Starch, largely obtained from potatoes, was already being manufactured in a number of countries in Europe. With this supply of raw material available, numerous small factories were erected to convert starch to either sirup or sugar. Means were soon discovered by which either sirup or sugar could be obtained as desired. The fact that neither beet sugar nor any other acceptable substitute for imported can sugar had as yet become available encouraged the development of starch sweeteners. However, the new industry, after the defeat of Napoleon and the lifting of the blockade, declined almost as rapidly as it had grown. Sugar became very cheap for a while...Few statistics are available concerning the early operation of the starch sweetener industry in Euope. But 11 million pounds of dextrose were reported to have been produced from potato starch in France in 1855 and about 44 million pounds in Germany in 1874...Starch sweetener production developed more slowly in the United States than in Europe, since there was no sugar shortage here early in the 19th century. A small factory near Philadelphia processed potato starch in 1831-1832. The next plant established in this country to make dextrose from cornstarch was in New York City in 1864."
History of Sugar Marketing Through 1974, US Dept. of Agriculture (p. 7-8)

EARLY 20TH CENTURY DESCRIPTIONS

[1911]
The Grocer's Encyclopedia, Artemis Ward: Corn syrup & Commerical glucose.

[1916]
"Corn syrup. This is a product of clear but thick, syrupy consistency which is derived from corn, as the name implies. It is commonly called 'glucose' among the [confectioners] trade, but this name is rapidly dying out due to the constant effort of the authorities to discontinue the name 'glucose' because of the unfounded associations people have connected with the purity and wholesomeness of this prodouct. In all formulas contained in this book the however mention is made, the term 'corn syrup' is use instead of 'glucose.' Corn syrup is sometimes used in candy because it is cheaper than sugar, but that is not the only reason for using it. In a great many cases it is essentially used as a 'doctor' to prevent a batch from graining or returning to sugar. It performs a purpose parallel to that of cream of tartar, but as corn syrup is cheaper to use than cream of tartar and does not require such extacting attention in the batch, it is use oftener as a 'doctor' than cream of tartar. Corn syrup good stand up better than cream of tartar goods; hence the more common use of corn syrup in candies intended for wholesale business. Some pieces cannot be made without corn syrup, as, for instance, caramels and fudges. Honey was formerly used in place of corn syrup in making caramels but it was very expensive to use, and allowed the batch to grain unless extreme care was taken. Like all materials the batch to grain unless extreme care was taken. Like all materials, there are different grades of corn syrup, depending on the grade of corn used in making the finished product. Corn syrup should be used less in the summer than in the winter as it tends to make goods sticky."
---Rigby's Reliable Candy Teacher, W. O. Rigby, 19th edition [1916?] (p. 16)

ABOUT KARO BRAND CORN SYRUP
The most famous corn syrup in the USA is Karo brand, introduced by the Corn Products Refining Company in 1902. History here.

"Corn syrup. A sweet, thick liquid derived from cornstarch treated with acids or enzymes and used to sweeten and thicken candy, syrups, and snack foods. By far the most popular and best-known corn syrup is Karo, introduced in 1902 by Corn Products Company of Edgewater, New Jersey. The name "karo" may have been in honor of the inventor's wife, Caroline, or, some say, derivative of an earlier trademark for table syrup, "Karomel." So common is the use of Karo in making pecan pie that the confection is often called "Karo pie" in the South."
---Encyclopedia of American Food and Drink, John F. Mariani [Lebhar-Friedman:New York] 1999 (p. 98)

HIGH FRUCTOSE CORN SYRUP
"In 1967 new Japanese enzyme technology brought about a revolution in corn syrup development. High fructose corn syrup was made by a more complete hydrolysis of glucose to fructose. IsoSweet, a high fructose corn syrup developed by [A.E. Staley Manufacturing Company], was approximately 92 percent as sweet as sugar."
---Oxford Encyclopedia of Food and Drink in America, Andrew F. Smith editor, [Oxford University Press:New York] 2004, Volume 1 (p. 346)

"...the premium is high-fructose corn syrup, first commercialized in 1967 by the Clinton Corn Processing Co. of Clinton, Iowa, which patented Isomerose (named for the enzyme xylose isomerase, which converts glucose to fructose). By 1972, the company had increased the sweetness from 14 to 42 percent fructose, to make it equivalent to ordinary sugar. As sugar prices rose, food and beverage industrialists began to replace more and more sucrose with "Isosweet." Within four years, production of the supersweet syrup jumped from two hundred thousand to two and a half billion pounds a year, and within the decade it had become a major component of all major soft drinks. Today, HFCS can be made 25 percent sweeter than sugar...and in crystalline form is an important rival to saccharin in the sugar-substitute industry."
---The Story of Corn (p. 273-274)

What exactly is HFCS?
General current US Dept. of Agriculture
definition: "High Fructose Corn Syrup (HFCS): A corn sweetener derived from the wet milling of corn. Corn starch is converted to a syrup that is nearly all dextrose. HFCS is found in numerous foods and beverages on the grocery store shelves."

A more technical definition: "High Fructose Corn Syrup (HFCS)—A corn sweetener derived from the wet milling of corn. Cornstarch is converted to a syrup that is nearly all dextrose. Enzymes isomerize the dextrose to produce a 42 percent fructose syrup called HFCS-42. By passing HFCS-42 through an ion-exchange column that retains fructose, corn refiners draw off 90 percent HFCS and blend it with HFCS-42 to make a third syrup, HFCS-55. HFCS is found in numerous foods and beverages on the grocery store shelves. HFCS-90 is used in natural and "light" foods in which very little is needed to provide sweetness. (ERS, USDA). Total fiber is the sum of dietary fiber and functional fiber.

About American consumption of high fructose corn syrup



Chocolate

Chocolate is a "New World" food. Food historians confirm ancient Aztec and Mayan peoples consumed chocolate in religious rituals. They did not each this precious substance or use it as an ingredient in recipes. European explorers introduced chocolate to their home countries. Early European uses mirrored those of New World Natives; sipped as special beverage. Except? Europeans tradition did not include the religious connection. Savvy entrepreneurs were quick to experiment on this new substance to expand market possibilities.

Colonial American chocolate
Chocolate was big business in Colonial America. It was imported/manufactured/exported in large quantities. American colonies competed with Europe for New World market domination.

Was chocolate candy sold in colonial era candy stores? Probably not. We find no evidence supporting personal portion chocolate candy (bon bons, truffles, bars) sold in colonial American shops to retail customers. Unsweeteened powder (for cocoa or cooking) was most likely the predominant chocolate product available in the Colonies. And then, only to the wealthy living in urban centers. One of the earliest references to "biting chocolate" (eating?) comes from the Marquis de Sade, 1779.

Savvy chocolate makers were keenly aware of the volatile nature of raw product availability and seasonal production. They routinely repurposed cocoa grinders to accomodate a variety of specialized goods, including spices and mustard. We can only imagine how these other flavors effected the flavor of the chocolate they produced.

"American consumers were probably savvier about their chocolate in the 18th century than they are in the modern world. Colonial chocolate makers routinely advertised the geographic sources of their cocoa, much like modern coffee vendors do for their coffee beans...Because of high transportation costs and excessive import duties on cocoa, Euroepan chocolate was both expensive and exclusive. It was a beverage for the elite and demand was relatively low...In North America, by contrast, chocolate was more available at cheaper prices and consumed by a wider variety of people. The quantity of domestically produced chocolate was sufficient enough to give it away to the poor. The Almshouses of Philadelphia and New York regularly provided chocolate and sugar to its needy residents, something that did not happen in England for the fear of indulging the poor...American chocolate makers routinely advertised chocolate for sale in newspapers throughout the 18th century. Approximately 70 commerical chocolate makers have been identified from these sources...American chocolate manufacturers were concentrated in four major production centers: Boston, Philadelphia, New York City, and Newport (Rhode Island). Since these locations regularly were engaged in the trade with the West Indies, it is logical that the domestic chocolate production also occurred here."
---Chocolate: History, Culture, and Heritage, Louis Evan Grivetti and Howard-Yana Shapiro editors [John Wiley & Sons:Hoboken NJ] 2009 (p. 284-285)

Colonial American chocolate industry
"Another feature of American chocolate was that is was primarily machine-made and purchased in stores. Chocolate histories written from a European perspective generally ignore American manufacturing methods. American newspaper advertisement...provide insight regarding chocolate-making equipment and the chocolate makers themselves. Since there were no monopolies or manufacturing guilds, there were no barriers to entry into the chocolate trade other than capital formation and access to cocoa. American manufactuirng equipment was generally homemade and varied from foot-powered mills capable of producing small quantities to watermills capable of producing several thousand pounds a day. Likewise, there were no patent restrictions...Some chocolate makers also produced other commodities at the same time. The cocoa trade was tenuous...especailly during wartime. Chocolate makers could ill afford disruption in a steady supply of cooa unless they were diverisfied into other commodities. Besides chocolate, chocolate makers commonly ground coffee, oats, spices, mustard, and even tobacco."
---Chocolate: History, Culture, and Heritage (p. 293)

How was it made?
"Chocolate making was hard work. The labor at times intense and at other times tedious...Whether roasting and shelling hundreds of pounds of cocoa at a time, or walking on a treadmill for yours, or hand-grinding ten pounds of chocolate a day for the Master, the work was mind numbing. And those wokring in large watermills also had their trials. If the order was for a ton of chocolate for a ship sailing on the next high tide, then well over a ton of cooca would have had to hae ben manhadled onto cards, roasted, shelled, winnowed, taken to the hopper, ground up, mixed and molded, wrapped in paper, packaged into perhaps 50 pound boxes, adn loaded onto cars. This in an age where most of that labor would have been done by hand, sun up to sun down. Chocolate generally was not manufactured i the summer because higher temperatures did nto allow the chocolate to harden...Therefore, chocolate-making activities started in the fall and ended in late spring."
---Chocolate: History, Culture, and Heritage (p. 293)

Bakers (est. 1765, Massachusetts) was named for Dr. James Baker. Original product was meant for drinking. The fact that Baker later produced chocolate used for baking (unsweetened at first)was a happy coincidence. 1828 marks the birth of modern chocolate. This new process made possible a broad range of chocolate products. Among them: cocoa, blocks, nibs, shells.

What is conching? "Conching started in 1879 in Berne, Switzerland, originating with Rodolphe Lindt, son of a local pharmacist. Lindt had trained as a confectioner apprentice and bought two fire-damaged factory buildings and some roasting machinery from a bankrupt mill to manufacture chocolate. In the beginning, the roasters were unable to sufficiently dry and roast the cocoa, and grinding the damp nibs produced a very coarse chocolate. When put into molds, his chocolate developed a whitish coating that was unappealing to consumers. he enlisted the assistance of his brother, August, also a pharmacist, to help investigate the sources of the white coating. August determined that the cause was too much water in the chocolate, which allowed the migration of fat to the surface of the product. He advised Rodolph to heat his roller grinder and let the chocolate mix longer to drive the excess water from the chocolate. Rodolph modified an old water-powered grinding machine developed by an Italian named Bozelli, by embedding iron trought in granite with the upper edges curved inward. A vertical profile of the trough resembled a shell, and Lindt called his invention a conche from the Spanish word for shell, concha. The cirved edges allowed fro more chocolate mass to be added to the trough without splashing out. At the end of each stroke of the roller, the chocolate broke like a wave, incorporating air into the mass. Rodolph added some cocoa butter to reduce the viscosity of the chocolate so it flowed more efficiently over the rollers in the trough. After three days of uninterrupted rolling, the chocolate did not resemble regular chocolate. The aeration reduced the bitter and sour flavors and helped to develop the chocolate aroma. Instead of pressing chocolate paste into the molds, the new chocolate could be poured into molds. When eaten, this new chocolate melted on the tongue and possessed a very appealing aroma. In this was began the production of chocolat fondant. History does not record why Lindt let the chocolate mix for three days. Perhaps it was part of an experimental plan developed with his brother.One anecdote related to the process involved Lindt leaving for a long weekend and forgetting to turn off the machine, which was powered by water from the Aare River. Regardless of the reason for the discovery, Lindt realized this new process had to be maintained as a trade secret. A separate conching building was built, with access limited only to authorized personnel. In 1899, the German magazine Gordian published a discussion entitled: 'Why does this chocolate taste so different from all the other?' The magazine received many ideas from readers speculating on the Lindt process, ranging from using a new kind of grinding machine, to adding peppermint oil, eve to the addition of more cocoa butter. Their conclusion was Lindt's secret could not be cracked. Lindt was able to maintain the secret of his conching process for more than 20 years and eventually sold his company (and the conching secret) to Rudolph Sprungli. One of the ingredients need to product chocolate fondant was cocoa butter. About 50 percent of a cocoa bean is cocoa butter, which has been extracted from cocoa beans since they were first discovered for food and cosmetic applications. The Aztecs put liquor into a pan of boiling water until almost all of the water evaporated. They then re-filled the pan with water and the butter floated to the surface of the water."
---Chocolate: History, Culture, and Heritage, Louis Evan Grivetti and Howard-Yana Shapiro editors [John Wiley & Sons:New York] 2009 (p. 616-617)

"The Swiss were renowned for their high degree of perfection in the quality and manufacture of chocolate fondant. The Swiss production methods were imitated by most manufacturers, but lack of understanding and failure to pay attention to the details of the Swiss methods often did not lead to success. To make Swiss chocolates, the chocolate had to be bround very fine and additional cocoa butter needed to be added to allow the chocolate to be in a liquid form when warm. Conching lasted up to 48 hours at a temperature of around 55 degrees C. But for many imitators, by the beginning of the 1900s, it was still unclear how Swiss chocolates were produced. It was first believed that additional cocoa butter had to be added to the chocolate. However, high levels of fat in the chocolate were objectionable in flavor and texture, so the melting characteristics of the chocolate were then attributed to the chocolate process itself. To replicate the caramel-like taste of chocolate fondant, experiments over many years were conducted to discover the method of imparting this flavor to the chocolate... Conching was described as an extraordinary process of which the science behind the effects was unknown."
----ibid (p. 619)

Recommended reading

Popular chocolate recipes:
Fondant, chocolate cake, chocolate chip cookies, cocoa, chocolate fondue, chocolate mousse, chocolate gravy & chocolate pie.

ABOUT WHITE CHOCOLATE
White chocolate is a confection that (until recently) has not been specifically defined. Culinary evidence confirms this product may, or may not, contain a chocolate derivative (cocoa butter, for example). Early 20th century companies marketed this product "vanilla chocolate." Interestingly enough it was promoted as health food.

Recipes for "vanilla tablets" appear in cookbooks published by chocolate manufacturers. Vanilla tablets/Walter Baker & Company [1913]
Choice Recipes/Water Baker [promotional booklet]

A cheap vanilla chocolate (wholesale)
35 pounds sugar
17 pounds corn syrup
1 1/2 gallons water
Cook to 238 degrees; pour on dampened cream slab and when lukewarm stir into a creamy consistency.
Now take:
20 pounds sugar
10 pounds corn syrup
3 quarts water
Cook to 238 degrees, then remove from the fire and add the first batch which has been creamed. When the batches are thoroughly mixed, add 5 pounds of Mazetta Creme and 2 ounces of extract of vanilla. When well mixed, set entire batch over a steam bath and get quite hot, then cast in starch and when set dip in chocolate. You may make any flavor desired by blending flavor when the Mazetta Creme is added."
---Rigby's Reliable Candy Teacher, W. O. Rigby, 19th edition [1916?] (p. 98)

So what exactly IS white chocolate? U.S. Food and Drug Administration recently defined this product and set forth standards for its manufacture. They can be found in 21 Code of Federal Regulations (CFR) Section 163.124:

"Sec. 163.124 White chocolate. (a) Description. (1) White chocolate is the solid or semiplastic food prepared by intimately mixing and grinding cacao fat with one or more of the optional dairy ingredients specified in paragraph (b)(2) of this section and one or more optional nutritive carbohydrate sweeteners and may contain one or more of the other optional ingredients specified in paragraph (b) of this section. White chocolate shall be free of coloring material. (2) White chocolate contains not less than 20 percent by weight of cacao fat as calculated by subtracting from the weight of the total fat the weight of the milkfat, dividing the result by the weight of the finished white chocolate, [[Page 62178]] and multiplying the quotient by 100. The finished white chocolate contains not less than 3.5 percent by weight of milkfat and not less than 14 percent by weight of total milk solids, calculated by using only those dairy ingredients specified in paragraph (b)(2) of this section, and not more than 55 percent by weight nutritive carbohydrate sweetener. (b) Optional ingredients. The following safe and suitable ingredients may be used: (1) Nutritive carbohydrate sweeteners; (2) Dairy ingredients: (i) Cream, milkfat, butter; (ii) Milk, dry whole milk, concentrated milk, evaporated milk, sweetened condensed milk; (iii) Skim milk, concentrated skim milk, evaporated skim milk, sweetened condensed skim milk, nonfat dry milk; (iv) Concentrated buttermilk, dried buttermilk; and (v) Malted milk; (3) Emulsifying agents, used singly or in combination, the total amount of which does not exceed 1.5 percent by weight; (4) Spices, natural and artificial flavorings, ground whole nut meats, ground coffee, dried malted cereal extract, salt, and other seasonings that do not either singly or in combination impart a flavor that imitates the flavor of chocolate, milk, or butter; (5) Antioxidants; and (6) Whey or whey products, the total amount of which does not exceed 5 percent by weight. (c) Nomenclature. The name of the food is ``white chocolate'' or ``white chocolate coating.'' When one or more of the spices, flavorings, or seasonings specified in paragraph (b)(4) of this section are used, the label shall bear an appropriate statement, e.g., ``Spice added'', ``Flavored with ------ '', or ``With ------ added'', the blank being filled in with the common or usual name of the spice, flavoring, or seasoning used, in accordance with Sec. 101.22 of this chapter. (d) Label declaration. Each of the ingredients used in the food shall be declared on the label as required by the applicable sections of parts 101 and 130 of this chapter. Dated: September 27, 2002. Margaret M. Dotzel, Associate Commissioner for Policy. [FR Doc. 02-25252 Filed 10-3-02; 8:45 am]"
[NOTE: This excerpted from White Chocolate; Establishment of a Standard of Identity, Federal Register, October 4, 2002.]

About white chocolate & the 1980s: "So called "white chocolate" is made out to cacao butter only, but in the United States it must be called "White confectionery coating," since it contains no cacao solids and therefore does not fit the legal requirements for "chocolate." It has the disadvantage of a relatively short shelf-life and a tendency to pick up foreign flavors." ---The True History of Chocolate, Sophie D. Coe and Michael D. Coe [Thames and Hudson:New York] 1996 (p. 29)
[NOTE: this book is THE definative history of chocolate. Ask your librarian to help you find a copy]

Related food? White chocolate mousse


Bridge mix

The earliest print reference we find for Bridge Mix, combinations of chocolate, fruits and nuts, is 1927. Our cookbooks from the 1920s-1950s confirm bridge parties were very popular in this period. Instructions for serving luncheon, dinner, buffet and snacks for bridge guests regularly appear. The concept of "Bridge Mix" makes perfect sense in context. Small pieces that do not leave any residue on ones fingers is preferable to card players. We do not find any company, person, or place claiming to have invented the name or product. Nor is there any set traditional combination of confections composing this item.

[1927]
"Foster & Orear's famous Bridge Mix, including Jordan almonds, spice drops, etc., $1 a pound."
---Oakland Tribune [CA], December 22, 1927 (p. 11)

[1929]
"Diana's, 60 cents lb, A delightful bridge mix of fruit filled dates in crisp shells."
---San Mateo Times [CA], June 14, 1929 (p. 8)

[1934]
"Chocolate dipped bridge mix (Nuts, Mints, Caramels, Soft filled pieces), per pound...20 cents."
[No reference to brand or manufacturer].
---Los Angeles Times, November 26, 1934 (p. 4)

A Bridge Mix ad published in the Los Angeles Times, June 30, 1935 (p. 8) notes "These pieces do not stick to your fingers."

Related item? TV Mix.


Brittle

The inspiration for brittle, as we Americans know it today, possibly descends from halva. This documented medieval-era Arabic confection traditionally combines honey, nuts and seeds. Some food history sources use this evidence to place brittle on ancient tables. To date: we find no print/historic documentation backing this claim.

The Oxford English Dictionary states "brittle," in the confectionery sense, is an American term dating in print to 1892. Our survey of historic American cookbooks confirms recipes for peanut brittle (as we know it today) appear in 19th century. Early recipes and ingredients were known by different names. One must examine these recipes carefully with regards to ingredients and method to determine the finished product. Back in the day, peanuts were called groundnuts.

Early peanut brittle recipes

[1847]
"An Excellent Receipt for Groundnut Candy

To one quart or molasses add half a pint of brown sugar and a quarter of a pound of butter; boil it for half an hour over a slow fire; then put in a quart of groundnuts, parched and shelled; boil for a quarter of an hour, and then pour it into a shallow tin pan to harden."
---The Carolina Housewife, Sarah Rutledge, facsimile copy 1847 edition, with an introduction by Anna Wells Rutledge [University of South Carolina Press:Columbia] 1979 (p. 219)

[1908] "Peanut candy.
Have ready one cupful of peanuts shelled and chopped. Be sure you are rid of all the brown skins. Put one cupful of white sugar in a hot iron frying plan and stir until it is dissolved. Add the peanuts and turn immediately. As it cools cut into squares."
---The Evening Telegram Cook Book, Emma Paddock Telford [Cupples & Leon:New york] 1908 (p. 157)

[1919] "Peanut brittle.
5 pounds sugar
2 1/2 pounds corn syrup
1 1/2 pints water
Cook and boil and then add 3 pounds Spanish shelled peanuts, and stir and cook until peanuts are done, then set kettle off fire and stir in it 1/2 teaspoonful of baking soda. After the soda is well stirred, drop in a little more soda, about 1/4 teaspoonful, and stir good. Pour on the slab and spread as thin as possible. When partly cold turn batch over. By adding soda as above batch will be the same color on both sides, not yellow on one side and brow on the other."
---Rigby's Reliable Candy Teacher, W. O. Rigby, 19th ed., [1919?] (p. 160-1)
[NOTE: this book also contains a recipe for non-sugar peanut brittle. This is not a diabetic alternative. It substitutes corn syrup and molasses for refined white sugar.]

[1942]
"Peanut Brittle I

Sugar, 2 cups
Water, 2/3 cup
Cream of tartar, 1/4 teaspoon
Molasses, 2 tablespoons
Salt, 1/2 teaspoon
Cream, 2 tablspoons
Baking soda, 1/2 teaspoon
Peanuts, shelled, 1 cup
Combine sugar, water and cream of tartar in a heavy saucepan. Plce over low heat and stir until sugar is dissolved; cook without stirring to 280 degrees F. (brittle). Wipe down crystals from sides of pan with a damp cloth wrapped around the tines of a fork. Add molasses, salt and cream. Cook slwoly to 290 degrees F., stirring slowly but constantly. Remove from stove. Quickly stir in soda and peanuts. (Be sure that soda is free from lumps. Pour onto an oiled surface--a shallow pan or marble slab--in a very thin layer. When cool enough to handle, the brittle may be grasped at the edges and stretched into a very thin sheet. When cold break into medium-sized pieces. Note: If peanuts are raw, add a sirup at 250 degrees F. instead of at the end. Makes about 1 pound."
---Woman's Home Companion Cook Book [P.F. Collier & Son:New York] 1942 (p. 788-789) [NOTE: Peanut Brittle II consists of sugar, baking soda and peanuts only. This book also offers recipes for coconut brittle, Chocolate-Nut Brittle and Bran-Nut Brittle.]

[1957]
"Peanut Brittle

2 cups Karo, blue label
1 cup granulated sugar
1/4 teaspoon vanilla
1/3 teaspoon baking soda
2 cups roasted peanuts
Combine the Karo and sugar and boil to 270 degrees F. or until brittle when a little is dropped in cold water. Stir in soda, peanuts and vanilla, spread thin on large pan well oiled with Mazola."
---49 Delightful Ways to Enjoy Karo, Corn Products Company, 1957 (p. 14)

Related food? Comfits (which later evolved into sugarplums) & pralines

Colonial American confectioners & candy shops

Food historians confirm professional confectioners (candy, cakes, cookies, ice cream) existed in mid-18th century London. Elizabeth Raffald was one such confectioner. Not so much for Colonial America. In our country at that time most confections were made at home. Our research finds American confectioners did not become a viable industry in their own right until the early 1800s. The original American confectionery epicenter was Philadelphia. At that time, confectionery wares included candy, cakes, cookies, sugar work, preserved (candied/sugared) fruit, and ice cream. Chocolate makers were a separate trade primarily concerned with importing large quantities of product for resale. Professional confectioners in the 18th century (Old World & New) generally learned their trade via apprenticeship. Long hours, hard work, and minimal pay counterbalanced room, board and master craftsman hands-on training. For free Colonial-American era smart young folks, apprenticeship of any kind was the ticket to prosperity.

While it is possible that some urban centers had confectionery shops during Colonial American times, "penny candy" became popular in the 19th century, during the Victorian era.

Early American candy

Sugar candy (including molasses and maple), candied fruits & flowers (a Renaissance-era favorite), sugar coated nuts (comfits), marzipan (almond paste), and toffee were all enjoyed by Americans in 17th and 18th centuries. Period cooking texts typically group candy with "sweet meats" or confectionery. Sweet meats also included preserves, jams, jellies, syrups, small cakes/cookies, ice cream and sherbet. Some of the candies we Americans enjoy today (liquorice, marshmallows, hard candies, peppermint) were originally used for medicinal purposes. "Recipes" for these items were often included in medical texts as well as cookbooks. A wide variety of different types of sugar were used to make these candies.

What kinds of candy did the first Americans eat? Native Americans in the northern regions were adept at tapping maple trees for syrup. European settlers introduced the foods they enjoyed in the Old World. The following confections were known in Medieval and Renaissance Europe:

How & where were these candies made?

"Confectionery was another art practiced by efficient housewives. It took several forms. Whole fruits or berries cooked and stored in syrup were called preserves. Mashed, they became marmalade, conserve, or jam. "Dried" (that is, candied like modern crystallized fruit) they were confections or sweetmeats. When their juices were mixed with syrup and reduced sufficiently to form hard candies, they were chips; when mashed pulp was used in the same way, they were called pastes. Strained juices were also used to make jelly, as in modern practice, and there were fruit and berry syrups. Brandied fruits were prepared by adding brandy to the syrup in which whole fruits were stored. Mrs. Randolph's selection of recipes, reflecting Virginia tastes at the end of the [18th] century, emphasized preserves-- peaches, pears, quinces, cherries, strawberries, gooseberries, raspberries, and sweet tomato marmalade. Her preserving kettle was made of bell metal, "flat at the bottom, very large in diameter, but not deep," with a tight-fitting cover and "handles at the sides of the pan, for taking it off with ease wthen the syrup boils too fast." Other desirable equipment included a large chafing dish with long legs "for the convenience of moving it to any part of the room," a ladle "the size of a saucer, pierced and having a long handle" for "taking up the fruit without syrup," small glasses or pots of a maximum two-pound capacity, and "letter paper wet with brandy" to cover the containers...Mrs. Custis' "Book of Sweetmeats" reflected the elegance and artificiality of tastes in Queen Anne's court. In addition to the conventional preserves, she included the more elaborate confectionery that usued flowers and herbs, roots and nuts as well as fruits and berries in a variety of crystallized preparations and hard candies to decorate dessert tables...Walnuts and almonds, eryngo and ginger roots, angelica stalks and roots, and marjoram and mint leaves were sometimes crystallized. Mrs. Custis also chopped or mashed them and stirred them into a manus Christi syrup, which was dripped into "rock candies" or "cakes" about the size of a sixpence. Fruit juices carefully strained produced clear drops and cakes. The pulp of fruits and berries, treated like almond paste in marchpane, made pastes in a great variety of flavors and colors: apricots, peaches, pears, plums, quinces, pippins, raspberries, gooseberries, barberries, cherries, oranges, lemons. Even more decorative was Paste Royall, printed in molds and then gilded."
---Colonial Virginia Cookery, Jane Carson [Colonial Williamsburg Foundation:Williamsburg VA] 1985 (p. 120-122)

A survey of candy recipes published in cookbooks used by early American cooks

[1753]
Red crisp almonds or Prawlings (pralines)
Iced almonds (iced with sugar)
Candied cherries
Candied orange peel
Candied ginger
Barley sugar (a precursor to toffee)
March-pane (marzipan)
Pastils (soft gum-like candy)
Comfits
---The Lady's Companion, [London:1753] 6th edition
[NOTE: Colonial-era cooks used books they brought from home. Many of these were published in London.]

[1749-1799]
Candied flowers (roses, marigolds, violets, rosemary--yes! Real flowers!)
Candied ginger
Suckets (candied fruits, oranges and lemons were most popular)
Sugar candy (boiled refined sugar)
Losenges (diamond shaped sugar candy...think of today's throat lozenge...flavored with orange, lemon, rose water)
Fruit pastes (dried, thin sheets of pounded fruit...think of today's "Fruit Roll-ups"...made with real apricots, peaches, raspberries, gooseberries, apples, plums, quinces, oranges, lemons)
Marchpan (aka marzipan; almond paste which was often colored and deoratively shaped)
---Martha Washington's Book of Cookery, transcribed by Karen Hess [Columbia University Press:New York] 1995
[NOTE: If you want to see these recipes ask your librarian can help you find a copy of this book.]

[1792]
Lemon and orange peel candied
Melon citron candied
Anglelica candied
Cassia candied
Orange marmalade
Apricot marmalade
Red quince marmalade
White quince marmalade
Raspberry paste
Currant paste
Gooseberry paste
Orange chips
Apricot chips
Ginger tablet
---The New Art of Cookery According to the Present Practice, Richard Briggs [W. Spotswood, R. Campbell, and B. Johnson:Philadelphia] 1792

[1847]
Kisses & meringues (sweet, frothy egg white confections; some have hazel nut or cocoanut centers)
Coconut candy
Lemon candy
Cream candy
Common twist (like candy canes/sticks)
Peppermint, rose or horehound candy
Molasses candy (taffy)
Candied orange or lemon peel
---Mrs. Crowen's American Lady's Cookery Book, Mrs. T. J. Crowen [Dick & Fitzgerald:New York] 1847

Need to make something for class? Selected modernized recipes:
...while most of these candies were enjoyed throughout the country, those with specific colony/state designations in their respective cookbooks are noted. "Nut Sweet
2 cups maple sugar (or brown sugar)
1/4 cup water
1 tablespoon butter
1 cup hickory nuts, or walnuts, broken. In a saucepan combine sugar, water, and butter. Cook over low heat until a candy thermometer inciates 238 degrees F., or until the syrup dropped in cold water forms a soft ball. Add the nuts. remove from heat and stir until the candy is thick. Drop in spoonsful onto waxed paper and let the patties harden."
---The Thirteen Colonies Cookbook, Mary Donovan et al [Montclair Historical Society:Montclair NJ] 1976 (p. 77) [Connecticut]

"Candied Peel
Cut rind of 8 oranges into quarters. Cover with cold water. Brink slowly to the boiling point. Remove pan from fire. Drain well. Repat this process, boiling the orange peel in a total of 5 waters. Drain well each time. With scissors, cut into strips or leaf designs. Make a syrup with 1/4 cut water and 1/2 cup sugar. Add the peel and boil until all the syrup is absorbed. Cool briefly. When thorouhgly dry, the peel may be dipped in chcoolate coating. Peel may also be rolled in freshly grated coconut, then sugared. Store in airtight tins, or freeze."
---ibid (p. 115) [New Jersey]

"Apricot Leather
Wash 1 package dried apricots and put them in water to soak overnight. Next morning, bring apricots and water to a boil and simmer for 5 minutes. Remove from heat and drain thoroughly. (Be sure all the water has drained off.) mash the apricots through a sieve, or belnd in a blender until smooth. Measure pulp: return it to the saucepan and add 1 part sugar to every 3 parts pulp. Bring to a boil and boil for 2 minutes, stirring constantly (at thsis tage the mixture may burn easily, so stir carefully.) Let the mixture cool for 15 minutes; then spread almost paper thin on a large piece of glass, marble slab, or aluminum cookie sheet. Form a rectangular shape. Place in a warm dry room (an attic is excellent) to dry for 1 to 2 days (it should be pliable enough to roll). Cut the leather into 3-inch squares, sprinkle with granulated sugar, and roll tightly into rolls about the size of a small pencil. Roll in granulated sugar and stroe in a tightly closed box."
---ibid (p. 251) [Georgia]

"Hoarhound Candy
Some of the candies which were made in colonial kitchens were very simple mixtures of sugar, water, and herbs. This candy was a confection as well as a lozenge for colds and sore throats.
3 ounces hoarhound
3 cups water
3 1/2 pounds brown sugar
Add hoarhound to hot water and simmmer for 20 minutes. Stain and add sugar. Cook until syrup forms a hard ball when dropped into cold water or until candy thermometer registers 265 degrees F. Pour into a buttered pan. When cooled, form into small balls or cut into squares. makes about 5 sozen pieces."
---Foods from the Founding Fathers, Helen Newbury Burke [Exposition Press:Hicksville NY] 1978 (p. 141) [Rhode Island]

"Molasses Candy
2 cups molasses
2 cups brown sugar
1/3 cup vinegar
1 cup water
2 tablespoons butter
Salt
Boil ingredients until brittle when tried in cold water. Pour into hot, buttered pan; pull when cool enough to handle."
---ibid (p. 141) [Rhode Island]

"Benne (Sesame) Brittle
2 cups granulated sugar
1 teaspoon vanilla
2 cups parched benne seed (roasted)
Melt the sugar in a heavy frying pan or saucepan over a low heat, stirring constantly. When sugar is melted, remove from stove, then add benne seed and vanilla quickly. Pour into a well-buttered pan to about 1/4 inch depth (a medium-size biscuit pan is right). Mark into squares while warm and break along lines when cold. Makes 8-10 squares."
---ibid (p. 244) [South Carolina]

"Hickory Nut Creams
3 cups brown sugar
1 cup cream or evaporated milk
1/2 teaspoon vanilla
1 tablespoon butter
2 cups hickory nuts
Stir sugar and cream together until sugar dissolves. Boil to 234 degrees F. or until a little of the mixture forms a soft ball when dropped into cold water. Cool to lukewarm. Add vanilla, butter, and nuts, and beat until creamy. Drop from spoon on waxed paper. makes 3 dozen creams."
---ibid (p. 316) [Philadelphia]

"Spiced Walnuts
1/4 pound walnut halves
1 cup sugar
1 teaspoon ginger
1 teaspoon salt
1/2 teaspoon nutmeg
1/4 teaspoon cloves
1 tablespoon water
1 egg white
Heat nuts in 350 degree F. oven for a few minutes. Sift together three times the sugar, ginger, salt, nutmeg, and cloves. Add awater to egg whtie and beat until frothy (not stuff). Dip nuts in egg mixture and roll in spices. Cover bottom of baking sheet with leftover sugar and spices. Arrange nuts over top. Sift remaining sugar over them. Bake at 275 degrees F. for 1 hour. Remove from oven and shake off excess sugar."
---ibid (p. 316) [Philadelphia]

"Pralines
1 cup granulated sugar
1/2 cup brown sugar
1/4 cup milk
1 tablespoon butter
1 cup pecans
1 teaspoon vanilla extract
Mix all ingredients except vanilla. Bring to a boil and boil for exactly 1 1/2 minutes. Remove from heat, add vanilla, and beat until smooth and creamy. Drop by spoonfuls onto wax paper. Makes 2 to 3 dozen."
---A Cooking Legacy, Virginia T. Elverson & Mary Ann McLanahan [Walker and Company:New York] 1975 (p. 167)

"Apricot Sweetmeats
1 pound dried apricots, ground
1 1/2 cups granulated sugar
1/2 cup orange juice
pecan or walnut halves, or almonds
superfine granulated sugar
Combine apricots, granulated sugar and orange juice in a saucepan. Cook over low heat for 10 minutes, stirring occasionally to prevent sticking. Drop by teaspoon onto waxed paper. When cool, place a pecan or walnut half or an almond in the center, rolling apricot mixture around it. Drop each ball into superfine granulated sugar to coat completely. Pack in a tightly covered container to store. Makes 3 dozen."
---ibid (p. 166)


Modern American candy (Post Civil War--1920s)

The Industrial Revolution made possible many new candies. Advances in food technology, scientific knowledge, and cooking apparatus made possible items such as jelly beans and chocolate. Most 19th century American cookbooks do not include recipes for making chocolate candy because it was primarily made by professional confectioners. "Penny candies" were a direct result of cheaper ingredients and mass production.

Primary sources/historic cookbooks

[1864]
Parkinson's Complete Confectioner, (professional text) [online full-text, courtesy of Michigan State University]
[1877]
Buckeye Cookery

These popular American brands were introduced to the American public between the late 1800s and 1929:

Wrigley's gum (Spearmint, Juicy Fruit)
Baby Ruth (Curtiss)
Hershey Bars (Hershey)
Good & Plenty
Cracker Jacks
Chase's Tween Meals
Tootsie Rolls
Candy Corn (called "Chicken Feed," by Goelitz Confercionery company)
Nik-L-Nips (liquid sugar/flavored filled wax novelties)
NECCO wafers
Hershey's Kisses
Life Savers
Goo Goo Clusters (a southern favorite)
Godenberg's Peanut-Chews (Philadelphia area)
Mounds Bards (Peter Paul)
Milky Way Bar (M&M Mars)
Bit-O'Honey
Milk Duds
Heath Bars
Reese's Peanut Butter Cups
Snickers Bar (M&M Mars)
Dubble Bubble bubble gum (Fleer)
Chases's Cherry Mash
Gummi Bears
Pez
Twizzlers
Cotton candy
Conversation Hearts
Jujyfruits (Henry Heide Co.)
Chuckles (jelly candies)
Charleston Chew
Almond Rocha (Brown & Haley)
Mr. Goodbar (Hershey's)
Mike & Ike
SOURCES: Candy: The Sweet History/Beth Kimmerle, The Food Timeline, The Food Chronology/James Trager


Chocolate covered ants

Our research confirms chocolate covered ants were a novelty food in the United States in the late 1950s. These exotic morsels were promoted by gourmet imported food shops as items to *surprise* guests. Mostly? These critter snacks appealed to men. The earliest reference in the New York Times is this article from 1956:

"In case any one wonders what happened to the college boys who ate live goldfish back in the forties, the answer might be right at hand. It's possible--allowing for the refinement of the palate that comes with maturity--that they have gone one to become conspicuous consumers of fried grasshoppers. According to T.G. Loryn, a local importer, more than 150,000 cans of these crispy cocktail accompaniments haves sold in this country in the last seven months--most of them to men...On reason for the phenomenon is that grasshoppers are accessibly prices...The gag, of course, is to serve...along with more conventional tidbits such as fried bacon rind, which they resemble somewhat in taste...experts agree there's a real demand these days for party foods that are new, exotic, "different." And once initiated, many American are suprised to find themselves quite won over by foods they wouldn't--wittingly--have eaten on a bet...As quick to spot a trend as any other merchants, live-wire food importers are now negotiating for French fried bees from the Oreitn. Fried ants (possibly from Africa) and chocolate covered ants from South America are also in the blueprint stage."
---"Grasshoppers a la Mode: Strange things are tickling palates these days. Coming soon--fried bees, chocolate-covered ants," Jean Condit, New York Times, April 29, 1956 (p. 264)

Post WWII fancy food market:
"...travel-nurtured gastronomes, as well as other s who have never left home, are garnishing their diets with greater amounts of specialty and fancy foods....The adventurous ones are asking...for the more exotic items: Kissproof garlic, snails, fried grasshoppers, kangaroo tail soup, baby bees in soy sauce, quail eggs, octopus on skewer, canned wild boar, shark fin soup, pickled cocks combs, roasted locusts and chocolate-covered ants. The fancy food uptrend reflects more than the impact of foreign travel. Americans have more money to spend on delicacies and they are reading an dlearning more about them...A revised interest in good eating has been grwoing in this country since the repeal of Prohibition, says Earle R. MacAusland, editor and publisher of Gourmet Magazine...Gourmet Magazine, which is written for connoisseiurs, was started on the eve of World War II and now has over 100,000 subscribers. During the past seven years the publication has sold more than 150,000 copies of its Gourmet Cookbook at $10.00 a copy...One indication of fancy foods' burgeoning popularity is the growth in the number of stores which specialize in such foods...Fancy food departments are also blossoming in supermarkets."
---"Specialty Foods: Snailes, Grasshoppers, Caviar, Ants Pop Up On More U.S. Menus," Victor J. Hillery, Wall Street Journal, November 9, 1956 (p. 1)

Several articles ensued, mostly in the late 1950s/early 1960s. None provide historic details regarding origin of chocolate covered ants. Our South/Central American food history books are full of information on chocolate but nothing on the coating of insects. Presumably this particular delicacy was not a traditional food of the Incas, Mayas and Aztecs.

Related?Chocolate covered pretzels.


Chocolate truffles

Chocolate is a "New World" food originating in South America. It was first consumed in liquid form by the Ancient Mayans and Aztecs. Spanish explorers introduced chocolate to Europe, where it was likewise appreciated and esteemed. Chocolate candy made its debut in the middle of the 19th century (Cadbury). At that time, it was very expensive and out of the reach of most people. The Industrial Revolution enabled the chocolate industry to grow and flourish. By the end of the 19th century chocolate was enjoyed by "the masses" (Hershey). Cream candies ultimately trace their roots to Medieval and Renaissance soft cream fillings used to compose trifle and fill pastries. Later developments included creme brulee and caramel cream. Chocolate-coated cream candies of all kinds were extremely popular in the late 19th/early 20th centuries.

According to the food historians, chocolate truffles were named thusly because the finished product resembles the naturally occuring, expensive fungus of the same name. About fungus truffles. Alan Davidson's Oxford Companion to Food states this candy became popular in the 1920s.

"Many who have never encountered vegetable truffles have tucked into confectioners' truffles, sweets the colour and shape of black truffles, made from a mixture of chocolate, sugar, and cream (and often rum) and covered with a dusting of cocoa powder or tiny chocolate strands. These are, of course, a much more recent phenomenon; they made their first appearance in an Army and Navy Stores catalogue for 1926-7."
---An A-Z of Food and Drink, John Ayto [Oxford University Press:Oxford] 2002 (p. 351)

While references to early 19th century chocolate truffles can be found in some books on American food history, it is unlikely the confection, as we know it today, existed that early. Possibly these authors are referring to chocolate creams, a related confection. The earliest authentic/historic recipe we have for chocolate truffles dates to the 1920s:

"Chocolate truffles. Dip a plain vanilla cream center, one as small as possible in milk chocolate coating, then before the coating dries, roll each piece in macaroon cocoanut so that the cocoanut sticks to the chocolate. Now lay them on a cheet of wax paper and allow to dry."
---Rigby's Reliable Candy Teacher, W.O. Rigby, 19th edition (undated, early 1920s probably) (p. 84)


Cotton candy

Most people think the origin of cotton candy (also known as spun sugar" "fairy floss" or "candy floss") is a simple documented fact. It's not. There are several stories recounting the invention of cotton candy. All are interesting. None are definitive. Most accounts credit the invention of cotton candy to enterprising American businessmen at the turn of the 20th century. The 1904 Louisiana Exposition in St. Louis is often cited as the place where cotton candy was introduction to the American people.

The truth? Spun sugar was known long before this time. Mid-18th century master confectioners in Europe and America hand crafted spun sugar nests as Easter decorations and webs of silver and gold spun sugar for elaborate dessert presentations. At that time, spun sugar was an expensive, labor-intensive endeavor and was not generally available to the average person. How was spun sugar made before the invention of modern machines?

[1769]
"To spin a Silver Web for covering Sweetmeats
Take a quarter of a pound of treble-refined sugar in one lump, and set it before a moderate fire on the middle of a silver salver or pewter plate. Set it a little aslant, and when it begins to run like clear water to the edge of the plate or salver, have ready a tin cover or china bowl set on a still, with the mouth downward close to your sugar that it may not cool by carrying too far. Then take a clean knife and take up as much of the syrup as the point will hold, and a fine thread will come from the point, which you must draw as quicky as possible backwards and forwards and also around the mould, as long as it will spin from the knife. Be very careful you do not drop the syrup on the web, if you do it will spoil it. Then dip your knife into the syrup again and take up more, and so keep spinning till your sugar is done or your web is thick enough. Be sure you do not let the knife touch the lump on the plate that is not melted, it will make it brittle and not spin at all. If your sugar is spent before your web is done put fresh sugar on a plate or salver, and not spin from the same plate again. If you don't want the web to cover the sweetmeats immediately, set it in a deep pewter from getting to it, and set it before the fire, it requires to be kept warm or it will fall. When your dinner or supper is dished, have ready a plate or dish of the size of your web filled with different coloured sweetmeats, and set your web over it. It is pretty for a middle, where the dishes are few, or corner where the number is large." ---The Experienced English Housekeeper, Elizabeth Raffald, with an introduction by Roy Shipperbottom [Southover Press:East Sussex UK] 1996 (p. 92)
[NOTE: this book also has instructions for a gold web and to make a Dessert of Spun Sugar.]

[1864]
On sugar spinning
The Complete Confectioner, Pastry Cook and Baker, J.M. Sanderson [Lippincott:Philadelphia] (p. 33+)

[1894]
Spun Sugar for Ornamental Purposes
--Required: loaf sugar and half its weight in water. The best cane sugar should be used, as failure if almost sure with inferior sugar. This is to be put in a copper pan and brought to the boil, and freed from any scum thay may rise. When the surface begins to look bubbly it is nearly ready. To test it, dip a knife or the end of a steel in cold water, and be sure that it is cold, or a mistake may arise; then dip this in the boiling sugar, then in cold water again, and if it is brittle, and leaves the knife or steel, it is done; should it cling an be soft it must be boiled longer. When it is done, take small portions and pass it quickly to and fro to form threads over an oiled rolling pin held in the left hand. A fork is best to use to take up the sugar. Should this be intended for "draping" a vol-au-vent or other sweet, the pin should be moved, so that the sugar falls into position, and is not handled. To be explicit, as it leaves the pin it is wound round the sweet. There is considerable art in this operation, and it is quite likely that a number of failures will precede success; it is one of those branches of the cuisine that require a practical lesson. It is always well to rub a little oil on the hands and wrists in the case the sugar should splash them, and by standing on a stool, holding the left arm low, and moving the right hand high in the air, the work is facilitated."
---Cassell's New Universal Cookery Book, Lizzie Heritage [Cassell and Company:London] (p. 811)

Cotton candy, as fair food, began when W.J. Morrison and J.C. Wharton (Nashville, TN) patented the first electric machine for spinning sugar into edible threads in 1897. This machine produced cotton candy quickly in mass quantities. The machine was portable, the process was novel, the appeal was universal. Perfect fair food. Notes from the original patent:

Candy Machine
To all whom it may concern; Be it known that we, William J. Morrison and John C. Wharton, citizens of the United States, residing at Nashville, in the County of Davidson and State of Tennessee, have invented certain new and useful Improvements in Candy-Machines, of which the following is a specification. Our invention relates to improvements in candy-making, or, as commonly called, "candy-machines," in which a revolvable or rotating pan or vessel containing cand or melted sugar causes the said candy or melted sugar to form into masses of thread-like or silk-like filaments by the centrifugal force due to the rotation of the vessel. The object of our invention is to obtain an edible product consisting of the said filaments of melted and "spun" sugar or candy."
---U.S. Patent #618,428 January 31, 1899. Application filed December 23, 1897.
[NOTE: you can view the full image of this patent online. Accessible by patent number only, requires special viewing software.]
Skuse's Complete Confectioner [London, undated, probably late 1890s/early 1900s] contains similar instructions on page 71:
Sugar Candy, Pink and White
Sugar candy is made in a variety of colours. The foreign, which is imported in large quantities, varying in shades between very dark brown and pale yellow, the prices charged for these qualities being very little above the sugar value, therefore unprofitable to make, but the pink and white candy is not so common, and generally command a renumerative figure, besides being attractive as a window decoration. The process is simple and interesting. Copper pans are sold by machinists for the purpose, but for small makers a rough coller or white metal pan will answer, so long as its sides are a little wider at the top than the bottom, in order that the crystalized sugar may fall out unbroken. Perforate the pan with small holes, about three inches apart, pass a thread through from one hole to another, so that the thread runs at equal distances throughout the centre of the pan, then stop up the holes from the outside with a thin coating of beeswax and resin to keep the syrup from running through. When the pan has been got ready, boil sufficient sugar to fill it, in the proportion of 7-lbs. sugar to 3 pints of water, to the degree of thread, or 230; then pour the contents into the pan and stand it on the drying room for three or four days; when the crystals are heavy enough, which you can tell by examining them, pour off the superfluous syrup; rinse the candy in lukewarm water and stand it in the drying room till dry. To make the pink, of course, colour the syrup, but be careful in tinging it very lightly. N.B.-When goods are undergoing the process of crystalizing, the vessel in which they are must not be disturbed."

In the dawning years of the 20th century cotton candy was also sold in sweet shops and department store candy counters. A Wanamaker's advertisement announcing the acquisition of "A Wonderful Candy Machine" ran in the New York Times February 11, 1905 (p.4). Price of their cotton candy? 5-10 cents, probably depending upon size.

Bruce Feiler's notes debunking the popular history of cotton candy:

"The Dictionary of American Food and Drink reports that the item [cotton candy] originated in 1900 at the Ringling Bros. and Barnum & Baily Circus, when snack vendor Thomas Patton began experimenting with the long common process of boiling sugar to a caramelized state, then forming long threads of it with a fork. Patton's genious, according to the entry, was to heat the sugar on a gas-fired rotating plate, creating a cottony floss. The truth may be less romantic, but it is no less appealing. In 1897 William Morrison and John C. Wharton, candy makers in Nashville, invented the world's first electric machine that allowed crystallized sugar to be poured onto a heated spinning plate, then pushed by centrifugal force through a series of tiny holes. In 1904, at the Louisiana Purchase Exposition, commonly known as the St. Louis World's Fair, Morrison and Wharton sold the product, then known as "fairy floss," in chipped-wood [cardboard] boxes for 25 cents a serving. Though the price was half the admission of the fair itself, they sold 68,655 boxes..."
---"Spun Heaven," Bruce Feiler, Gourmet, February 2000 (p. 66+)
[NOTE: this is an excellent article. Ask your librarian to help you find a copy.]

About the science of sugar.

Cotton candy: notes from the National Confectioners Association (includes how cotton candy is made today. If you need more details about the manufacturing process ask your librarian to help you find this book: How Products are Made, Jacqueline L. Longe, editor, Volume 4 [Gale:Detroit] 1999 (p. 157-161).


Divinity

Although recipes for various nougat and sweet meringue-type confections (with and without nuts and fruit) can be traced to ancient Turkish and 17th century European and roots, food historians generally agree that Divinity (aka Divinity fudge, Divinity candy) is an early 20th century American invention. Why? One of the primary ingedients in early Divinity recipes is corn syrup, a product actively marketed to (& embraced by) American consumers as a sugar substitute at that time. Corn syrup was affordable (economical), practical (shelf-stable), and adapted well to most traditional recipes. Karo brand corn syrup, introduced by the Corn Products Refining Company in 1902, was/is perhaps the most famous. It is no coincidence that early Karo cooking brochures contain recipes for Divinity.

Food historians have yet to determine the first person to call this delicious confection "Divinity. " The general concensus about the name? The finished product tasted "divine." A survey of American cookbooks confirms recipes for Divinity (candy, fudge, rolls) were "standard items" from the 1930s to present. Some people connect Divinity with southern roots. This is not confirmed by our cooking texts which are published all over the country. Perhaps Divinity with pecans is a Southern twist on a national favorite?

This is what the food experts have to say:

"Divinity. An American confection related to nougat and marshmallow. It is made by cooking a sugar syrup to the firm or hard-ball stage...and then beating it into whisked egg whites."
---Oxford Companion to Food, Alan Davidson [Oxford University Press:Oxford] 1999 (p. 251)

"Divinity...also divinity fudge [Prob with ref to its "divine" flavor] esp. west of Appalachians. Homemade candy made by pouring hot sugar syrup into beaten egg whites. 1913 E.H. Glover Dame Curtsey's Book of Candy Making (p. 34) Divinity Fudge. Three and one-half cups of granulated sugar, one-half cup of 90 per cent corn syrup, two thirds cup water [etc.]"
---Dictionary of American Regional English, Frederick G. Cassidy and Joan Houston Hall, editors, [Belknap Press of Harvard University:Cambridge MA] 1985, volume II D-H (p. 91)
[NOTE: This book has a map showing where this particular term is most popular. Your librarian can help you find a copy of this book/page if you need it.]

"White divinity fudge wasn't heard of until around 1910."
---Listening to America, Stuart Berg Flexner [Simon & Schuster:New York] 1982 (p. 139)

Why does Divinity sometimes choose not to set?
"Divinity is a tricky confection to make under the best circumstances--almost impossible under less than good. The recipe in one community cookbook advises a short consultation with the local meteorologist: "Please remember candy doesn't set unless the barometer reads 30 in. or over; doesn't make a difference whether it's raining or not, just watch your t.v. for the barometric pressure." Divinity like most other Southern canides shows up around the winter holidays. It is sort of a companion piece to fudge in Christmas gift boxes. ---Biscuits, Spoonbread, and Sweet Potato Pie, Bill Neal [Alfred A. Knopf:New York] 1996 (p. 138)

[1905]
"Divinity Candy
. Mrs. C.C. Hall, Hollywood.--One pint golden drip syrup, one pint sweet milk one cup granulated sugar, butter size of a walnut. Boil until a soft ball can be made. Remove from fire ahd whip until it is creamy, then pour over one-half pound of shelled Califoania English walnuts."
---The Times Cookbook

[1907]
"In place of the time-honored "fudge," she may make the new "Divinity Fudge," a sweet that is no more expensive, that takes but little more time, but that is far more delicious. Melt a cupful of sugar in a saucepan; when melted, pour it into another saucepan in which there is already a cupful of cold milk. Put this pan on the fire and cook slowly until the two have blended; then add two or more cupfuls of granulated sugar, and one more cupful of cold milk, and reheat, cooking slowly until it is of proper consistency to remove from the stove. At this time add a heaping teaspoonful of butter and a cupful of finely chopped nut meats; beat the mixture with a large spoon until almost cold, then spread it over buttered pans, and line for cutting, like fudge."
---"Christmas Cheer as Ever Calls on the Housewife for Sweets, Pies and All the Rest of the Good Things of the Holidays," The New York Times, December 17, 1907 (p. SM5)

[1910]
"Divinity Fudge

Here is a recipe for Divinity Fudge, which is great:
2 cups sugar, 1/2 cup cup hot water, 1/2 cup corn syrup. Cook until it forms a soft ball when dropped in cold water. Have ready, in a rather deep dish, the whites of 2 eggs beaten to a stiff froth (1 egg may be used, not so good). Pour the cooked mixture over the whites of the eggs. Beat in the 1 cup walnuts. Beat until of a creamy consistency. Pour onto buttered pan. Cool, cut in squares. Janice Meredith."
---"Divinity Fidge," Boston Daily Globe, April 28, 1910 (p. 11)

[1915]
"Divinity.

Two cupfuls gran.[granulated] Sugar, 1/2 cupful water, 1/2 cupful syrup. Boil until it hardens in cold water. Beat whites of 2 eggs to a stiff froth, then pour syrup over them and add 1 cupful chopped nuts. Flavor with vanilla. Beat until stiff and drip with spoon on parafine paper."
---The Concord Cook Book, compiled by Mrs. Adolph Guttman and Mrs. Levi Oppenheimer for the Ladies' Auxilary, Society of Concord Syracuse N.Y. first edition [Dehler Press:Syracuse NY] 1915 (p. 276)

[1917]
"Divinity Fudge

Home candy economy seems on the increase, to judge from the requests that come to this column for recipes. M.A. wishes a recipe for "divinity." One of the colored corn sirups, probably the best known, is used by many people, but plain glucose, which costs a little less, makes a whiter candy. In making all candies I use a thermometer, because it saves time and attention and I get more uniform results, but my neighbor, fortunately i this case, does not, so Mrs. Y. lets me use her recipe herewith:
"This requires two pans or kettles. In pan No. 1, put one cup of sugar and one-half cup of water. In pan NO. 2 put three cups of sugar one one cup of corn sirup. Boil No. 1 until it spins a thread. Boil No. 2 until it forms a soft ball when dropped in water. Beat No. 1 into the whites of two eggs, and as soon as No. 2 is done beat into the egg mixture. Beat on a platter about ten minutes, or until creamy. Before it gets firm beat in a cup of pecan nuts and two teaspoons of vanilla. Beat until firm. Turn out on to a cloth that has been wet in cold water and roll up into a loaf. When cool enough cit down into slices."
---"Tribune Cook Book," Jane Eddington, Chicago Daily Tribune, February 14, 1917 (p. 10)

[1926]
"Divinity Fudge

3 cups light brown sugar
3/4 cup Karo syrup
1 1/4 cups nut meats or chopped crystallized fruit
3 egg whites
1 cup cold water.
Mix in saucepan sugar, syrup and water. Cook until mixture reaches soft-ball stage. Whip egg whites very stiff and dry, then add syrup mixture in a small stream, beating all the time until mixture begins to thicken. Stir in nut meats or fruit, continue stirring until creamy. Pour in buttered pan. Cut in squares when cold."
---Every Woman's Cook Book, Mrs. Chas. F. Moritz [Cupples & Leon: New York] (p. 599-600)

Why won't divinity set in certain types of weather?
"Divinity is a tricky confection to make under the best circumstances--almost impossible under less than good. The recipe in one community cookbook advises a short consultation with the local meteorologist: "Please remember candy doesn't set unless the barometer reads 30 in. or over; doesn't make a difference whether it's raining or not, just watch your t.v. for the barometric pressure." Divinity like most other Southern candies shows up around the winter holidays. It is sort of a companion piece to fudge in Christmas gift boxes."
---Biscuits, Spoonbread, and Sweet Potato Pie, Bill Neal [Alfred A. Knopf:New York] 1996 (p. 138)

Related foods? Meringue and fudge.


Dolly mixtures

Dolly mixtures are a uniquely British treat. They seem to be related to liquorice allsorts, popular colorful candies of different shapes and sizes that are about 100 years old. About liquorice.

"...it is probably in confectionery that liquorice has found its most extensive and attractive culinary use. For this purpose, the extract from the roots is combined with sugar, water, gelatin, and flour to give a malleable black or brown paste, which is tough and chewy. These attribute are used to gread effect by manufactureres who mould it into pipes, cables, and long strips or 'bootlaces'; or combine it with brighly coloured soft sugar paste to make liquorice allsorts. These sweets, very popular in Britain, are of divers and striking appearance, mostly made of layers of black refined liquorice combined in various ways with brightly coloured paste imitating marzipan. Some lumps of liquorice rolled in coloured sugar vermicelli. Thanks to the liquorice in them, the flavour of these sweets is more interesting than that of most cheap confectionery."
---Oxford Companion to Food, Alan Davdison [OxforUniversity Press:Oxford] 1999 (p. 455)

Where did the name "Dolly Mixture" come from? The food historians are still looking for a definative answer. There are several theories:

According to the Oxford English Dictionary, a dolly mixture is a "mixture of tiny coloured sweets of various shapes." The earliest citation to print references using this term dates back only to 1957. One of these books, Lore and Language of Schoolchildren, Iona Opie, states "Other current sweet-shop favourites appear to be the same as thirty years ago, in fact bull's eyes, jelly babies, and dolly mixture have entered schoolchild language as descriptive nouns." (page 166). This dates the term dolly mixtures, as they relate to candy, back at least to the late 1920s.

Just below this entry is another definition for the word dolly: "Anglo-Indian [ad.Hindi Dali]...A complimentary offering of fruit, flowers, vegetables, sweetmeats and the like presented usually on one or more trays..." Perhaps this term, as it relates to candy, was borrowed from traditions begun in British India?

Another argument supporting the possible connection to India is the word dal, or dahl. These pulses (beans, peas, legumes) are one of the principal foods in the Indian subcontinent. Dal is often composed of items of various sizes and colors, thus the possible connection (in looks only) to the popular candy mix. You can find more information on Dal in the Oxford Companion to Food, Alan Davidson [Oxford University Press:Oxford] 1999 (p. 241) and A Historical Dictionary of Indian Food, K.Y. Achaya [Oxford University Press:Delhi] 1998 (p. 60).

Laura Mason, British confectionery history expert, says the connection between Indian dahl and dolly mixtures is unlikely.

"Soft Bright Jellies for Dolly Mixtures
Sugar 20lb
Glucose 20lb
Water 5pt
Gelatin 4lb
Citric acid powder 4 1/2oz
Run into starch impressions. Set aside until next day. Brush thoroughly and glaze."
---Skuse's Complete Confectioner, W. J. Bush & Co. editor, 13th edition [W.J. Bush:London] 1957 (p. 200)


Fondant

According to the Oxford English Dictionary, the term Fondant (in print) dates to 1877:
"Fondant. [a. Fr. fondant n. and pr. pple. of fondre to melt.] A sweetmeat made chiefly in France: (see quots.). Also attrib. 1877 Encycl. Brit. VI. 257 Fondants.. are made from solutions boiled to the point of crystallization, properly coloured and flavoured, and cast into moulds made of starch. 1892-4 Encycl. Cookery (Garrett) I. 602/1 Fondants. This term has become familiar to us for kinds of soft sweets that ‘melt’ in the mouth. Ibid. 602/2 Divide the Fondant-paste into two portions."

"Fondants are sweets made from a paste produced by boiling sugar syrup and then kneading it until it is soft, creamy, and smooth. The same sort of paste is also used as the basis for icing for cakes (fondant icing). The term comes from the present participle of French fondre, 'melt', and is probably an allusion to fondant 'melting in the mouth'."
---An A-Z of Food & Drink, John Ayto [Oxford University Press:Oxford] 2002 (p. 128-9)

"Fondant...is a relative recent development in confectionery. It appears to have originated in the middle of the 19th century, probably in France, although the historian Mary Isin...suggests that it might first have come from Ottoman Turkey. A variety of fondant which had cream amongst its ingredients was popular in the late 19th and early 20th centuries under the name of 'Opera Caramels'. Today, fondant has been reduced to a supporting role in confectionery, largely as a filling for chocolates. When used in this way, it is often referred to as creme, or cream filling; this is a statement about the texture, rather than a reference to the ingredients. A popular way of consuming fondant in the late 20th century is a mint-flavoured, chocolate-coated form intended to be eaten after dinner. Rolled fondant is a type of sugar paste icing...and is used for covering cakes."
---Oxford Companion to Food, Alan Davidson [Oxford University Press:Oxford] 2nd edition, 2006 (p. 311-312)

"Fondant is relatively simple to make, and lends itself to many variations in colour and flavour. In the 1890s, various handbooks suggested it as a dainty suitable for making by ladies wishing to earn a little income, both in Britain and North America...Presenting confectionery as a creative pastime which allowed the practitioner to show off expertise and good taste echoed the seventeenth-century ideals fo gentlewomen who could make banqueting conceits. Fondant is now rarely seen without a coating of chocolate, and is no longer considered an exciting novelty...Exploitation of fondant and starch-moulding led to a fin-de-siecle flourish of pastel confectionery in myriad shapes and colours. About 1900, Skuse commented on 'Fondant Cream Work' that, 'this department has developed more rapidly and more extensively than perhaps any other in the business, if we except chocolate, and even then, fondant cream has been of great assistance to the coca bean. ' Ironically, it was fondant which acted as a midwife to chocolate--now the dominating confection. Since 1866, the Bristol company of Joseph Fry and Sons had been selling their Chocolate Cream Bar, filled with fondant. This was an enormous success."
---Sugarplums and Sherbet: The Prehistory of Sweets, Laura Mason [Prospect Books:Devon] 2004 (p. 75-77)

Fondant icing
Fondant icings date to the early 20th century:

"Fondant is a very popular kind of icing. It is a form of boiled icing which subsequently is worked to a creamy consistency. The formula and method for making fondant are stated later. A mixture of granulated sugar, glucose, and water is first boiled to a temperature of 240 degress F. In some formulas a small amount of cream of tartar or citric acid is used in the mix, often replacing the glucose. The sides of the kettle or receptacle in which the boiling is done should be washed down occasionally by means of a brush wet with water. Care chould be taken not to boil the syrup above the specified temperature. At this point is should be poured out on a stone slab, usually marble, which has just been previously mostined with cold water. The sugary mass is allowed to cool down to about 110 degrees F. and is then thoroughly worke back and forth, either by hand or machine, until a smooth, creamy mass is obtained. This treatment results in the formation of very fine crystals of sugar which account for the smoothness and glossy survace of the fondant. A large batch of fondant may be made up at a time and kept in good condition by storing in a clean receptacle and covering with a damp cloth. When it is desired to use this icing, the portion required is removed, and thinned down by warming, while stirring, over a hot water bath. The temrpartue of the fondant during this process should not go over 100 degrees F. otherwise it may lose its gloss and creaminess. The desired flavoring is then added to the fondant and it is ready to apply on the cake. On cooling, it will set nicely. Properly handled, it will not bcome hard and will retain its gloss. APPLICATION. Many of the smaller pieces can be dipped. For this work, a fondant icing is very good. The fondant, being very heavy and almost all sugar, is soemtimes too sweet an icing. This may be toned down a bit by the addition of marshmallow, or beaten icing, which also lightness the fondant and makes it more fluff. Fondant sould be applied very thick and should always be used warm. Cakes as large as four inches in diameter may be dipped quickly. Where a number of small pieces are made, dipping is a very good method. The use of fondant is more general on these small pieces; small squares, oblongs, or fancy shapes cut from various cake bases, form the foundation for a great variety of holiday cakes."
---Treatise on Cake Making, Fleischmann Division, Standard Brands Inc. [New York] 1935 (p. 151)

Plastic icing?
FoodTV's
Ace of Cakes show features georgeous cakes draped with a substance they call rolled fondant. This artful substance appears to descend from Australian cake decorating traditions, where it was first known as "plastic icing." The earliest references we find to "rolled fondant" in American print appears in the early 1980s.

"In Australia, despite its varied immigrant population, the British cake remained dominant but not in any static and unchanging form. The major change which has been noted in the British trade in the 1890s had its roots in an Australian enthusiasm for sugarcraft and cake-decoration which began in the 1950s...The provided competition classes for decorated cakes and in this way promoted experimentation. A distinctive new style developed. This was based on a change of material. Royal icing was demoted from its pre-eminence as the standard material for covering and decorating all the more important cakes to a mere auxiliary for piping. Two other substances to be used in conjuction with it became essential. For covering there was 'plastic icing,' a cold-mixed alternative to cooked fondant icing, made with glucose, gelatine, glycerine and flavouring, in addition to icing sugar and water. For modelling it was aversion of the ancient sugarpaste...I The Australian Book of Cake Decorating (1973), Bernice Vercoe, one of the leaders of the movement from the 1950s onwards, wrote: 'We do not recommend royal icing for coverings as this mixture is hard and brittle when dry and tends to crack and separate from the cake whe cut', but 'the English still use it'. 'In Australia royal icing is used for pipework only.' Plastic icing, on the other hand, 'remains soft to the bite for long and indefinite periods'...It is also easier to use, being rolled out and draped and conformed to almost any shape; it does not have to be smoothed on moist and allowed to set. The very considerable skill needed to achieve a fine, smooth surface even on regular shapes with royal icing becomes redundant."
---Wedding Cakes and Cultural History, Simon R. Charsley [Routledge:New York] 1992 (p. 24-25)

More from Ms. Vercoe:
"Plastic icing. Gone are the days when the knife bent dangerously before piercing the cake and fear clutched the heart of the 'cutter', wondering if indded, dynamite would be a better substitute to break the cement-like covering strongly defying all efforts to slice neatly. The plastic icing and other fondants used today are easily handled, and give a smooth, dull, satin-like surface which is a delight upon which to work. This icing remains soft to the bite for long and indefinite periods and is use mainly for covering 'special occasion' cakes of a denser nature, usually fruit cake. Plastic icing should never be used to cover a sponge as there is insufficient stability in the cake to support it."
---Australian Book of Cake Decorating, Bernice Vercoe & Dorothy Evans [Paul Hamlyn:Sydney] 1973 (p. 11)
[NOTE: this book contains a recipe for Mixing Plastic Icing. If you would like a copy please let us know.]

"The [Wilton] school teaches the American, Lambeth and Australian styles of cake decorating. Classes also are given in chocolate artistry, pulled sugar, figure piping and cakes for catering. The two-week basic cake-decorating course costs $500, while other courses range from three to five days and cost $150 to $300. The American method--the decorating style first taught by Wilton --emphasizes buttercream, shell borders, swags and piped icing flowers. Australian techniques include rolled fondant coatings, lace work and royal icing flowers, while the Lambeth, or continental, method uses ornate layers of piped-on icing for its rococo effects."
---"Cake Decorating School Remains at Core of Expanded Wilton Enterprises," Phyllis Magida, Chicago Tribune, Apr 30, 1987 (p. 4)

"Last week's listing of summer cooking courses in the city inadvertently omitted Rose Levy Beranbaum at Cordon Rose, 110 Bleecker Street, Apartment 7D, New York 10012. 475-8856. Dessert Baking and Cake Decorating 11 begins June 8. The cost for six sessions is $270. Miss Beranbaum studied at Ecole LeNotre in France. Her course includes several LeNotre desserts, such as Gateau a la Brioche, Genoise, Dacquoise, rolled fondant, marzipan roses, royal icing flowers and ice cream."
---"Cooking School Summer Class," New York Times, Jun 3, 1981, (p. C.16)

Australian recipe & instructions, circa 1956

Fondant Icing To Cover 1lb. Cake
Sift 3 lb. of icing sugar into bowl. Add 2 egg whites, 2 tablespoons glycerine 1/2 lb softened glucose. Beat with a wooden spoon until a stiff mixtuer. Turn out on board sifted with icing sugar. Knead until a workable paste and quite smooth. Colour if desired. Flavour with a few drips of almond or lemon essence. Stand over night. When covered and set decorate lightly with Royal Icing...

To Cover Cake With Fondant Icing
Roll icing 1/4in. thick on sugared board. Wrap round rolling pin. Damp surface of cake as directed. Unroll paste over surface. Press on till perfectly smooth and hand dipped in icing sugar. Damp sides of cake as directed. Cut paste rolled 1/4in. thick into strips wide enough to cover sides. Press same on. Stand overnight to get firm."
---The Schauer Australian Cookery Book, 11th edition [W.R. Smith & Paterson: Brisbane] 1956 (p. 598-599)

You can make your own rolled fondant or purchase it from a cake supply store.

Related foods? Opera creams & icing.


Fruit leather

Food historians trace the history of dried fruit products to ancient middle eastern cooks. Dried figs, raisins, apricots, berries and other fruits were sweetened with honey and enjoyed as snacks. These high-energy portable foods were appreciated by travelers in many parts of the world.

Fruit pastes and jellies likewise originated in this region, probably during the Middle Ages. These jellies evolved into a broad range of sweet treats including jams, marmalades, preserves and candies. Dried fruit pastes (also known as fruit leathers) were known in southern Europe as early as the 16th century. Recipes for fruit pastes traveled northward to England and from there, to the American colonies.

About dried fruits:

"With the exception of the citrus group, most fruits dry extremely well if left out in the hot sun and dry air. The natural sugars in fruit are concentrated when moisture is removed. This made dried fruit particularly attractive when sugar was not known and honey, then the most commonly used sweetener, was not easily available. Originally fruits were dried until they had a hard, desiccated surface, which acted as a valuable deterrent to insects, molds, and other sources of decay...We know that the ancient Greeks loved to eat mashed dried figs mixed with honey and nuts with cups of strong sweet wine...Traditionally they are washed with seawater and dried on the ground in the hot sun. Dates, rich in energy-giving sugar, were regarded by many ancient cultures as sacred. They dry perfectly in the desert sun and can be eaten fresh, fried, or ground into meal to make cakes. The Romans also loved to eat chewy dried foods. They grew to many varieties that Lucius Columella, the first-century author of De Re Rustica, declared they were too numerous to catalog...But in cooler, wetter England, the climate made sun-drying fruit so difficult that indoor drying with ovens or fires was the only alternative. Apples...pears, and plums, could be dried whole over a period of days in cooling bread ovens, but handling them too much meant they burst of split before they were dry. Instead, apples were most commonly sliced in rings, threaded onto strings, and then hung up in the kitchen or dried on the stillroom stove."
---Pickled, Potted and Canned: How the Art and Science of Food Preserving Changed the World, Sue Shephard [Simon & Schuster:New York] 2000 (p. 40-42)

"Ripe soft fruits were lesss easy to candy whole. A recipe of 1587 told how to preserve all kind of fruits, 'that they shall not break in the preserving of them' by laying them between layers of sugar on a flat platter, coving them with a dish, and steaming them over a boiling pot. Later it was more usual to boil the fruits briefly in sugar syrup, and then reduce the latter to a thick consistency before pouring it over them in glass or stoneware jars...Candied fruits, together with other dry and wet sweetmeats, were set ont in little dishes at the banquet of Tudor and Stuart days, and thereafter were eaten as dessert at the end of the second course. They were also offered as refreshments to callers at other times of day. The dry sweetmeats included thick peach or quince marmelades divided into separate lumps, punted with moulds and sugared; pastes of fruit juice and sugar, similarly printed; and dandied fruit chips. Stiff jellies were made from strawberries, raspberries or mulberries crushed in a mortar with sugar, boiled with water, rosewater and isinglass and sieved. They were boxed and would keep all year."
---Food and Drink in Britain From the Stone Age to the 19th Century, C. Anne Wilson [Academy Chicago:Chicago IL] 1991 (p. 353-4)

"Apricot leather and Turkish delight are among the fruit pastes that have survived into modern confectionery, especially in Europe, where they are more popular. Except for slight differences in technique involved with varying fruits, the recipes differ little...In English and French cookbooks, Genoa is often credited with recipes for fruit paste. Actually, they were much older; the Arabs, and the Persians before them, had been making them for centuries. In Europe, however, Italy early became preeminent in pastry and confectionery and quite likely confectioners came to England from Genoa, bringing the art with them. (The Arabs first brought the art of working sugar to Spain); one may speculate that early refugees from the Inquisition, who are known to have fled to Genoa, may have been responsible for this center."
---Martha Washington's Booke of Cookery and Booke of Sweetmeats, transcribed by Karen Hess [Columbia University Press:New York] 1981 (p. 294, 296)

Historic dried fruit/fruit leather recipes:

[1653]
"Dry Apricots.

Drain them, and turn them into ears, or in round, then bestrew them with sugar in powder, and dry them in a stove."
---The French Cook, Francois Pierre, La Varenne, Englished by I.D.G. 1653, introduced by Philip and Mary Hyman [Southover Press:East Sussex] 2001 (p. 230)

"Paste of Apricots.
Take them very ripe, and pare them; then put them in a pan without water, and stir tem often with a scimmer untill they be very dry. Take them off the fire, and mix them with as much sugar sod into a Conserve as you have of paste."
---ibid (p. 236)

[1694]
"To make Apricock Chips.

Take your apricocks pared & ston'd, & cut every one into 8 pieces, & take to a pound of apricocks a pound of sugar & half a pint & two spoonfulls of water, beaten very well with the white of an egg. Wett your sugar with some of the water & when it begins to boyl throw in the rest by a spoonfull at a time, not too fast, stirring it not att all. When it is enough take it off the fire & take off the scumm; sift the sugar very fine, then take the apricocks & put them to the sugar. Let them boyle a little & scum them, then take them up one by one and lay them in a basin & pour the liquor upon them, scalding hot. So lett them stand two days and two nights, then lay them on a haire seive & let them draine twelve hours, then take them off & put them on a pie-plate & sett them in an oven just warm, sifting sugar on them."
---The Receipt Book of Mrs. Ann Blencowe, facsimile 1694 edition [Polyanthos:Cottonport LA] 1972 (p. 9)

"To dry Apricotts like prunelloes.
Take a pound of Apricotts, stone them, pare them & strew a quarter of a pound of beaten sugar over & under them. When tis dossolv'd set it over a slow fire to boyl: as they begin to boil, scum & turn them; if any begin to break take them out till the ye [the] rest are enough, then put them into syrup again; ye next day beat them again, & set them to dry on a sieve that ye syrup may run from them. Then crack ye stones & blanch them & put them in. And then put them into a stove or oven that is but warm. Turn them on plates till they are as dry as prunelloes, then dip a cloth in warm water & pott them with it, that they may not be clammy, & then dry them again a little. Between every row you put your gallipots, put a paper dip't in water & clapt dry again, & tye them down close with dry paper. Keep them in a place that's dry but not hot."
---ibid (p. 26)

[1753]
"To dry Apricocks.

Take a pound of apricocks, a pound of double refined sugar; stone them, pare them, and put them into cold water; when they are all ready, put them into a skillet of hot water, and scald them till they are tender; then drain them very well from the water, and put them in a silver bason; have in readiness your sugar boil'd to sugar again, and pour that sugar over your apricocks; cover them with a silver plate, and let them stand all night; the next day set them over a gentle fire, and let them be scalding hot, turning them often; you must do them twice a-day, till your see them begin to candy; then take them out, and set them in your stove or glasses to dry, heating your stove every day utll they are dry."
---The Complete Housewife or Accomplish'd Gentlewoman's Companion, E. Smith, facsimile 15th edition, originally published in 1753 [T.J. Press:London] 1968 3(p. 202-3)

[1769]
"To make Apricot Paste

Pare and stone your apricots, boil them in water till they will mash quite small. Put a pound of double-refined sugar in your preserving pan with as much water as will dissolve it, and boil it to sugar again. Take it off the stove and put in a pound of apricots, let it stand till the sugar is melted. Then make it scalding hot, but don't let it boil. Pour it into china dishes or cups, set them in a stove. When they are stiff enough to turn out put them on glass plates. Turn them as you see occasion till they are dry."
---The Experienced English Housekeeper, Elizabeth Raffald [1769], with an introduction by Roy Shipperbottom [Southover Press:East Sussex] 1996 (p. 119)

[18th century]
"112. To make paste of apricocks and pear plums.

Take a pound of Apricocks or pear plums, & put them between 2 dishes with a little rosewater & let ym [them] boyle till they be tender. Then strayn them, & dry them on a chafing dish of coles. Then take as much sugar as they weigh, being boyled to candy height; put them together & stir it, & fashion it on a pie plate in what fashions you pleas. Then stove them, & keep them when they are dry for yr [your] use."
---Martha Washington's Booke of Cookery and Booke of Sweetmeats, transcribed by Karen Hess [Columbia University Press:New York] 1981 (p. 294)
[NOTE: Other fruit paste recipes in this book include peach, raspases (raspberries), gooseberries, pippins (apples), quinces, cherries, oranges and lemons. If you would like to see all of these recipes ask your librarian to help you find a copy of this book.

[1839]
"Peach leather.

Take freestone peaches, that are ripe and sweet; pare them, mash them to a pulp after taking out the stones, and weigh it. Break up as many peach kernels as will flavor it to your taste, pound them to a paste, and mix it with the peach pulp. Weigh your sugar, allowing half a pound to every pound of peaches; break it up, put it into a preserving kettle with a very little water, boil and skim it, and then put in your peach pulp; simmer it at least thirty minutes, stirring it very well, and then spread it out in a smooth coat on dishes, and expose them to the sun till dry, turning them over once a day. Sprinkle over each piece a little powdered cinnamon and grated lemon, roll them into a scroll, and keep them in a dry place, exposing them occasionally to the air."
---Kentucky Housewife, Mrs. Lettice Bryan, facsimile reprint 1839 edition [Image Graphics:Paducah KY] (p. 347-8)

[1847]
"Peach leather.

Take a peck or two of soft freestone peaches, pound them, pass the pulp through a coarse sieve, and to four quarts of pulp add one quart of good brown sugar; mix them well together, and boil for about two minutes; spread the paste on plates, and put them in the sun every day until the cakes look dry, and will leave the plates readily by passing a knife round the edges of the cakes; dust some sugar over the rough side, and roll them up like sweet wafers. If kept in a dry place they will continue sound for some months. If the weather is fine, three days will be enough to dry them."
---The Carolina Housewife, Sarah Rutledge, facsimile reprint of 1847 edition [University of South Carolina:Columbia] 1979 (p. 159)

Want to make fruit leather? Modernized instructions for Medieval Arab Quince paste are published in Barbara Santich's Original Mediterranean Cuisine(p. 170-171). Contemporary instructions for "modern" fruit leather here!

Related confections? Fruit jellies, jams & preserves, jelly beans & Turkish delight.


Fudge

Food historians puzzle over fudge. Why?